Building an african luxury brand: the case of Elie Kuame Couture
| Ano de defesa: | 2022 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | eng |
| Instituição de defesa: |
Não Informado pela instituição
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Link de acesso: | https://hdl.handle.net/10438/32456 |
Resumo: | Despite the undisputed importance of luxury as an industry in many economies and societies, the African luxury industry has attracted few academics and little research, especially from the business perspective. Based on Kapferer and Bastien’ assertion that “there is no luxury without brands”, this thesis suggests to start bridging this paradoxical gap in the literature by exploring how African luxury fashion brands are being built. To this end, we compare the attributes and management principles of typical Western luxury brands extracted from The Luxury Strategy by Kapferer and Bastien (2012) with those of a recently established Ivorian luxury fashion brand: Elie Kuame Couture. Thanks to original, qualitative research, we show that the Ivorian brand shares many building blocks with its Western counterparts, but not all of them. While we thus cannot really conclude on whether or not Elie Kuame Couture is a “true” luxury brand, we insist that the Ivorian house develops its own specificities and hence challenges our list of qualifying criteria, as well as the Western understanding of luxury. Overall, this thesis hopes to contribute to breaking the perception that “Africa” is antithetical to “luxury”, to raising awareness about the continent’s multiple creative talents, and to supporting the development of a strong African luxury industry. |
| id |
FGV_339ad47fad2716dab7393a4e2f85f531 |
|---|---|
| oai_identifier_str |
oai:repositorio.fgv.br:10438/32456 |
| network_acronym_str |
FGV |
| network_name_str |
Repositório Institucional do FGV (FGV Repositório Digital) |
| repository_id_str |
|
| spelling |
Dabard, Albert François Béatrice Marie-JosephEscolas::EAESPPereira, Luís HenriqueLourenço, Carlos EduardoStrehlau, SuzanePereira, Luís Henrique2022-09-06T13:13:15Z2022-09-06T13:13:15Z2022-08-15https://hdl.handle.net/10438/32456Despite the undisputed importance of luxury as an industry in many economies and societies, the African luxury industry has attracted few academics and little research, especially from the business perspective. Based on Kapferer and Bastien’ assertion that “there is no luxury without brands”, this thesis suggests to start bridging this paradoxical gap in the literature by exploring how African luxury fashion brands are being built. To this end, we compare the attributes and management principles of typical Western luxury brands extracted from The Luxury Strategy by Kapferer and Bastien (2012) with those of a recently established Ivorian luxury fashion brand: Elie Kuame Couture. Thanks to original, qualitative research, we show that the Ivorian brand shares many building blocks with its Western counterparts, but not all of them. While we thus cannot really conclude on whether or not Elie Kuame Couture is a “true” luxury brand, we insist that the Ivorian house develops its own specificities and hence challenges our list of qualifying criteria, as well as the Western understanding of luxury. Overall, this thesis hopes to contribute to breaking the perception that “Africa” is antithetical to “luxury”, to raising awareness about the continent’s multiple creative talents, and to supporting the development of a strong African luxury industry.Apesar da indiscutível importância do luxo como indústria em muitas economias e sociedades, a indústria do luxo africana atraiu poucos acadêmicos e pouca pesquisa, especialmente do ponto de vista empresarial. Com base na afirmação de Kapferer e Bastien de que "não há luxo sem marcas", esta tese sugere começar a preencher esta lacuna paradoxal na literatura explorando como as marcas de moda de luxo africanas estão sendo construídas. Para este fim, comparamos os atributos e princípios de gestão de marcas de luxo típicas ocidentais extraídos da The Luxury Strategy de Kapferer e Bastien (2012) com os de uma marca de moda de luxo da Costa do Marfim recentemente estabelecida: Elie Kuame Couture. Graças a pesquisas originais e qualitativas, mostramos que a marca marfinense compartilha muitos blocos de construção com suas homólogas ocidentais, mas não todos eles. Embora não possamos realmente concluir se a Elie Kuame Couture é ou não uma marca "verdadeira" de luxo, insistimos que a casa da Costa do Marfim desenvolve suas próprias especificidades e, portanto, desafia nossa lista de critérios de qualificação, bem como a compreensão ocidental do luxo. Em geral, esta tese espera contribuir para quebrar a percepção de que "África" é antitética ao "luxo", para aumentar a consciência sobre os múltiplos talentos criativos do continente e para apoiar o desenvolvimento de uma forte indústria de luxo africana.engLuxury industryLuxury fashionAfrican luxuryAfrican luxury brandsDefinition of luxuryLuxury - AfricaÁfricaLuxoIndústria do luxoModa de luxoLuxo africanoMarcas de luxo africanasConstrução de marcas de luxoDefinição de luxoAdministração de empresasLuxo - ÁfricaModa - Indústria - ÁfricaObjetos de luxo - ComercializaçãoBranding (Marketing)Building an african luxury brand: the case of Elie Kuame Coutureinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional do FGV (FGV Repositório Digital)instname:Fundação Getulio Vargas (FGV)instacron:FGVLICENSElicense.txtlicense.txttext/plain; charset=utf-84707https://repositorio.fgv.br/bitstreams/052abc96-56a8-47de-8987-e157a025d96c/downloaddfb340242cced38a6cca06c627998fa1MD52ORIGINALMPGI_THESIS-ALBERT-DABARD.pdfMPGI_THESIS-ALBERT-DABARD.pdfPDFapplication/pdf1973172https://repositorio.fgv.br/bitstreams/fd6d1380-8bbe-4c84-98ee-5a4c4a256492/download6e00410a8ec9bb712f074ea3273ee0e6MD51TEXTMPGI_THESIS-ALBERT-DABARD.pdf.txtMPGI_THESIS-ALBERT-DABARD.pdf.txtExtracted texttext/plain104735https://repositorio.fgv.br/bitstreams/6240f759-0ee8-457f-a080-dec31a91ba53/download110872e904799369b5d0ebd8bfcd2715MD55THUMBNAILMPGI_THESIS-ALBERT-DABARD.pdf.jpgMPGI_THESIS-ALBERT-DABARD.pdf.jpgGenerated Thumbnailimage/jpeg2597https://repositorio.fgv.br/bitstreams/7bd2bd1c-544b-4cbe-9bd8-627f9abad848/downloadc31e35952a13b6447a17fa93e5fd1269MD5610438/324562023-11-26 02:53:11.749open.accessoai:repositorio.fgv.br:10438/32456https://repositorio.fgv.brRepositório InstitucionalPRIhttp://bibliotecadigital.fgv.br/dspace-oai/requestopendoar:39742023-11-26T02:53:11Repositório Institucional do FGV (FGV Repositório Digital) - Fundação Getulio Vargas (FGV)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 |
| dc.title.eng.fl_str_mv |
Building an african luxury brand: the case of Elie Kuame Couture |
| title |
Building an african luxury brand: the case of Elie Kuame Couture |
| spellingShingle |
Building an african luxury brand: the case of Elie Kuame Couture Dabard, Albert François Béatrice Marie-Joseph Luxury industry Luxury fashion African luxury African luxury brands Definition of luxury Luxury - Africa África Luxo Indústria do luxo Moda de luxo Luxo africano Marcas de luxo africanas Construção de marcas de luxo Definição de luxo Administração de empresas Luxo - África Moda - Indústria - África Objetos de luxo - Comercialização Branding (Marketing) |
| title_short |
Building an african luxury brand: the case of Elie Kuame Couture |
| title_full |
Building an african luxury brand: the case of Elie Kuame Couture |
| title_fullStr |
Building an african luxury brand: the case of Elie Kuame Couture |
| title_full_unstemmed |
Building an african luxury brand: the case of Elie Kuame Couture |
| title_sort |
Building an african luxury brand: the case of Elie Kuame Couture |
| author |
Dabard, Albert François Béatrice Marie-Joseph |
| author_facet |
Dabard, Albert François Béatrice Marie-Joseph |
| author_role |
author |
| dc.contributor.unidadefgv.por.fl_str_mv |
Escolas::EAESP |
| dc.contributor.member.none.fl_str_mv |
Pereira, Luís Henrique Lourenço, Carlos Eduardo Strehlau, Suzane |
| dc.contributor.author.fl_str_mv |
Dabard, Albert François Béatrice Marie-Joseph |
| dc.contributor.advisor1.fl_str_mv |
Pereira, Luís Henrique |
| contributor_str_mv |
Pereira, Luís Henrique |
| dc.subject.eng.fl_str_mv |
Luxury industry Luxury fashion African luxury African luxury brands Definition of luxury Luxury - Africa |
| topic |
Luxury industry Luxury fashion African luxury African luxury brands Definition of luxury Luxury - Africa África Luxo Indústria do luxo Moda de luxo Luxo africano Marcas de luxo africanas Construção de marcas de luxo Definição de luxo Administração de empresas Luxo - África Moda - Indústria - África Objetos de luxo - Comercialização Branding (Marketing) |
| dc.subject.por.fl_str_mv |
África Luxo Indústria do luxo Moda de luxo Luxo africano Marcas de luxo africanas Construção de marcas de luxo Definição de luxo |
| dc.subject.area.por.fl_str_mv |
Administração de empresas |
| dc.subject.bibliodata.por.fl_str_mv |
Luxo - África Moda - Indústria - África Objetos de luxo - Comercialização Branding (Marketing) |
| description |
Despite the undisputed importance of luxury as an industry in many economies and societies, the African luxury industry has attracted few academics and little research, especially from the business perspective. Based on Kapferer and Bastien’ assertion that “there is no luxury without brands”, this thesis suggests to start bridging this paradoxical gap in the literature by exploring how African luxury fashion brands are being built. To this end, we compare the attributes and management principles of typical Western luxury brands extracted from The Luxury Strategy by Kapferer and Bastien (2012) with those of a recently established Ivorian luxury fashion brand: Elie Kuame Couture. Thanks to original, qualitative research, we show that the Ivorian brand shares many building blocks with its Western counterparts, but not all of them. While we thus cannot really conclude on whether or not Elie Kuame Couture is a “true” luxury brand, we insist that the Ivorian house develops its own specificities and hence challenges our list of qualifying criteria, as well as the Western understanding of luxury. Overall, this thesis hopes to contribute to breaking the perception that “Africa” is antithetical to “luxury”, to raising awareness about the continent’s multiple creative talents, and to supporting the development of a strong African luxury industry. |
| publishDate |
2022 |
| dc.date.accessioned.fl_str_mv |
2022-09-06T13:13:15Z |
| dc.date.available.fl_str_mv |
2022-09-06T13:13:15Z |
| dc.date.issued.fl_str_mv |
2022-08-15 |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
| format |
masterThesis |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10438/32456 |
| url |
https://hdl.handle.net/10438/32456 |
| dc.language.iso.fl_str_mv |
eng |
| language |
eng |
| dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
| eu_rights_str_mv |
openAccess |
| dc.source.none.fl_str_mv |
reponame:Repositório Institucional do FGV (FGV Repositório Digital) instname:Fundação Getulio Vargas (FGV) instacron:FGV |
| instname_str |
Fundação Getulio Vargas (FGV) |
| instacron_str |
FGV |
| institution |
FGV |
| reponame_str |
Repositório Institucional do FGV (FGV Repositório Digital) |
| collection |
Repositório Institucional do FGV (FGV Repositório Digital) |
| bitstream.url.fl_str_mv |
https://repositorio.fgv.br/bitstreams/052abc96-56a8-47de-8987-e157a025d96c/download https://repositorio.fgv.br/bitstreams/fd6d1380-8bbe-4c84-98ee-5a4c4a256492/download https://repositorio.fgv.br/bitstreams/6240f759-0ee8-457f-a080-dec31a91ba53/download https://repositorio.fgv.br/bitstreams/7bd2bd1c-544b-4cbe-9bd8-627f9abad848/download |
| bitstream.checksum.fl_str_mv |
dfb340242cced38a6cca06c627998fa1 6e00410a8ec9bb712f074ea3273ee0e6 110872e904799369b5d0ebd8bfcd2715 c31e35952a13b6447a17fa93e5fd1269 |
| bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 |
| repository.name.fl_str_mv |
Repositório Institucional do FGV (FGV Repositório Digital) - Fundação Getulio Vargas (FGV) |
| repository.mail.fl_str_mv |
|
| _version_ |
1827842446532280320 |