Transgressões narrativas no Manual da paixão solitária, de Moacyr Scliar

• Ano de defesa: 2018
• Autor(a) principal: Coelho, Wédina Sabino Rodrigues
• Orientador(a): Machado, Lacy Guaraciaba
• Banca de defesa: Nascimento, Maria Teresinha Martins do , Cândido, Gláucia Vieira
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de Goiás
• Programa de Pós-Graduação: Programa de Pós-Graduação STRICTO SENSU em Letras
• Departamento: Escola de Formação de Professores e Humanidade::Curso de Letras
• País: Brasil
• Palavras-chave em Português: Moacyr Scliar. Procedimentos miméticos. Poder. Transcriação.
• Palavras-chave em Inglês: Moacyr Scliar. Mimetic procedures. Power. Transcreation.
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://tede2.pucgoias.edu.br/handle/tede/3921

The object of this study is the literary work Manual da paixão solitária (2008), of Moacyr Scliar. The initial assumption is that the constitution of this narrative is one of the creative procedures that undertake inventive marks of transgressive transcreation, creating the tensile framework. Emphasis is placed on what Haroldo de Campos calls transcription under the justification that it is a narrative that forms a bridge that establishes a link between biblical and literary history, having in its language transgressions that are inserted in the discourse, in which the characters participate in suggestive passion for the solitary world to which they are submitted. In this way, we want to verify how the levirate fictionalization occurs by placing the narrator voices in motion; how the network of relations between the characters flows within the scope of the power of language in which micro-powers oscillate in the complex mesh of signification; and how one develops the idea that the author adopted a translatory act to transform the original biblical text into a polysemic history incorporating signs with an aesthetic message. It is concluded that the work opens up the exploration of discursive marks through which transcritical procedures maintains links with the source text.