Audiovisual e política: sujeitos processados pelo dispositivo

• Ano de defesa: 2011
• Autor(a) principal: Oliveira Filho, Walter Novaes de
• Orientador(a): Machado, Arlindo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Comunicação e Semiótica
• Departamento: Comunicação
• País: BR
• Palavras-chave em Português: Dispositivo audiovisual; Identidade do sujeito; Política
• Palavras-chave em Inglês: Identity of the individual; Audiovisual device; Politic
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: https://tede2.pucsp.br/handle/handle/4308

Understand the operation of the audiovisual device processing the identity of the individual in nowadays; more specific we refer to the audiovisual configured as artistic device in an art work Voracidade Máxima from Maurício Dias & Walter Riedweg. The research introduces at a micro estate of art in consonance / dialogue with the art work Voracidade Máxima. These micro state of art, suggests movements made by the individual in to a field of micro & macropolitics of power in our actual society of information. The hypothesis are referent to the possibilities of the artistic device realize collective assemblage of annunciation from the over-coded individual identity, recontextualized / reterritorialized in his social visibility. Presumably that these productions in audiovisual produce effect against-information, in confrontation with the mass media power corporations. The theory basement to study the audiovisual device comes from the study of the book Thousand Plateaus Capitalism and Schizophrenia from Gilles Deleuze & Felix Guattari in texts like Micropolítics and Segmentarity and The Smooth and the Striated . Complementing this reference, the text Le dispositif: approches métapsychologiques de I´mpression de réalité , from Jean Marie Baudry which the author do approaches between The allegory of the cave and the discovery of the unconscious by Freud, more precisely in reference to the other scene made by psychical apparatus. The methodology referrer to analysis through Discursive Semiotics of the artistic device Voraxidade Máxima in assemblage / enunciation from the homosexual segment represented for ten Latinos immigrants engaged in prostitution in a city of Barcelona and analysis of reception from the art work. This analysis goes on through all chapters until the last considerations, where we contextualize the individual processed by the device in a consequent political subject. Finally to analyze all these artistic materials, beyond the theory references mentioned the concept of device in Agamben