Reality shows musicais: do corpo-candidato ao corpo-commodity

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: Almeida, Erika Silva e Souza de lattes
Orientador(a): Katz, Helena
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Comunicação e Semiótica
Departamento: Faculdade de Filosofia, Comunicação, Letras e Artes
País: Brasil
Palavras-chave em Português:
Reality shows musicais
Biopolítica
Corpomídia
Indústria musical
Palavras-chave em Inglês:
Musical reality shows
Biopolitics
Corpomedia
Music trade
Área do conhecimento CNPq:
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
Link de acesso: https://tede2.pucsp.br/handle/handle/21846
Resumo: The growing success of musical reality shows over the last 20 years is linked to the reconfiguration of television as an agent and mediatic center of the music industry. This research takes as its object the musical reality shows, with corpus as The Voice USA. The objective is to investigate the role of bodies that present themselves in the legitimization of cultural consumption patterns in the music market and, to that end, will find itself in a kind of 'molding process' of the body in a pattern produced not only to musical point of view, but also to several other segments, composed by costumes, makeup, stage performance (theatricality) and choreography (dance). The hypothesis is that biopolitics applied by the program and improved over the course of their seasons turn bodies-candidates into bodies-commodities, intervening directly in the music industry and the markets it involves. The research will be based, above all, on the concept of biopolitics, by Michel Foucault (2008); in the concept of convergence and connection, by Henry Jenkins (2008, 2014); in the Corpomedia Theory, by Katz and Greiner; in the control society, by Gilles Deleuze (2013); and in the concepts of public and opinion, by Gabriel Tarde (2005). The methodology will use the bibliographic review and a field research in the corpus, formed by two seasons of the program
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spelling Katz, Helenahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4735168T1Almeida, Erika Silva e Souza de2018-12-21T11:41:56Z2018-12-13Almeida, Erika Silva e Souza de. Reality shows musicais: do corpo-candidato ao corpo-commodity. 2018. 100 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.https://tede2.pucsp.br/handle/handle/21846The growing success of musical reality shows over the last 20 years is linked to the reconfiguration of television as an agent and mediatic center of the music industry. This research takes as its object the musical reality shows, with corpus as The Voice USA. The objective is to investigate the role of bodies that present themselves in the legitimization of cultural consumption patterns in the music market and, to that end, will find itself in a kind of 'molding process' of the body in a pattern produced not only to musical point of view, but also to several other segments, composed by costumes, makeup, stage performance (theatricality) and choreography (dance). The hypothesis is that biopolitics applied by the program and improved over the course of their seasons turn bodies-candidates into bodies-commodities, intervening directly in the music industry and the markets it involves. The research will be based, above all, on the concept of biopolitics, by Michel Foucault (2008); in the concept of convergence and connection, by Henry Jenkins (2008, 2014); in the Corpomedia Theory, by Katz and Greiner; in the control society, by Gilles Deleuze (2013); and in the concepts of public and opinion, by Gabriel Tarde (2005). The methodology will use the bibliographic review and a field research in the corpus, formed by two seasons of the programO sucesso crescente dos reality shows musicais, nos últimos 20 anos, está ligado à reconfiguração da televisão como agente e centralidade midiática da indústria fonográfica. Essa pesquisa toma por objeto os reality shows musicais, tendo como corpus o The Voice USA. O objetivo é investigar o papel dos corpos que lá se apresentam na legitimação de padrões de consumo cultural no mercado da música e, para tal, se deterá em uma espécie de ‗processo de moldagem‘ do corpo em um padrão produzido não apenas para atender o ponto de vista musical, mas também a vários outros segmentos, compostos por figurino, maquiagem, performance no palco (teatralidade) e coreografias (dança). A hipótese é a de que as biopolíticas aplicadas pelo programa e aprimoradas ao longo de suas temporadas transformam corpos-candidatos em corpos-commodities, intervindo diretamente na indústria musical e nos mercados que ela envolve. A investigação se fundamentará, sobretudo, no conceito de biopolítica, de Michel Foucault (2008); no conceito de convergência e conexão, de Henry Jenkins (2008, 2014); na Teoria Corpomídia, de Katz e Greiner; na sociedade de controle, de Gilles Deleuze (2013); e nos conceitos de público e opinião, de Gabriel Tarde (2005). A metodologia empregará a revisão bibliográfica e uma pesquisa de campo no corpus, formado por duas temporadas do programaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/48018/Erika%20Silva%20e%20Souza%20de%20Almeida.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesReality shows musicaisBiopolíticaCorpomídiaIndústria musicalMusical reality showsBiopoliticsCorpomediaMusic tradeCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOReality shows musicais: do corpo-candidato ao corpo-commodityReality musical shows: from body-candidate to body-commodityinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTErika Silva e Souza de Almeida.pdf.txtErika Silva e Souza de Almeida.pdf.txtExtracted texttext/plain197063https://repositorio.pucsp.br/xmlui/bitstream/handle/21846/4/Erika%20Silva%20e%20Souza%20de%20Almeida.pdf.txt6ea3de45cba0d557e3f2a206dba34194MD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv Reality shows musicais: do corpo-candidato ao corpo-commodity
dc.title.alternative.eng.fl_str_mv Reality musical shows: from body-candidate to body-commodity
title Reality shows musicais: do corpo-candidato ao corpo-commodity
spellingShingle Reality shows musicais: do corpo-candidato ao corpo-commodity
Almeida, Erika Silva e Souza de
Reality shows musicais
Biopolítica
Corpomídia
Indústria musical
Musical reality shows
Biopolitics
Corpomedia
Music trade
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Reality shows musicais: do corpo-candidato ao corpo-commodity
title_full Reality shows musicais: do corpo-candidato ao corpo-commodity
title_fullStr Reality shows musicais: do corpo-candidato ao corpo-commodity
title_full_unstemmed Reality shows musicais: do corpo-candidato ao corpo-commodity
title_sort Reality shows musicais: do corpo-candidato ao corpo-commodity
author Almeida, Erika Silva e Souza de
author_facet Almeida, Erika Silva e Souza de
author_role author
dc.contributor.advisor1.fl_str_mv Katz, Helena
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4735168T1
dc.contributor.author.fl_str_mv Almeida, Erika Silva e Souza de
contributor_str_mv Katz, Helena
dc.subject.por.fl_str_mv Reality shows musicais
Biopolítica
Corpomídia
Indústria musical
topic Reality shows musicais
Biopolítica
Corpomídia
Indústria musical
Musical reality shows
Biopolitics
Corpomedia
Music trade
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Musical reality shows
Biopolitics
Corpomedia
Music trade
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description The growing success of musical reality shows over the last 20 years is linked to the reconfiguration of television as an agent and mediatic center of the music industry. This research takes as its object the musical reality shows, with corpus as The Voice USA. The objective is to investigate the role of bodies that present themselves in the legitimization of cultural consumption patterns in the music market and, to that end, will find itself in a kind of 'molding process' of the body in a pattern produced not only to musical point of view, but also to several other segments, composed by costumes, makeup, stage performance (theatricality) and choreography (dance). The hypothesis is that biopolitics applied by the program and improved over the course of their seasons turn bodies-candidates into bodies-commodities, intervening directly in the music industry and the markets it involves. The research will be based, above all, on the concept of biopolitics, by Michel Foucault (2008); in the concept of convergence and connection, by Henry Jenkins (2008, 2014); in the Corpomedia Theory, by Katz and Greiner; in the control society, by Gilles Deleuze (2013); and in the concepts of public and opinion, by Gabriel Tarde (2005). The methodology will use the bibliographic review and a field research in the corpus, formed by two seasons of the program
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-12-21T11:41:56Z
dc.date.issued.fl_str_mv 2018-12-13
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv Almeida, Erika Silva e Souza de. Reality shows musicais: do corpo-candidato ao corpo-commodity. 2018. 100 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/21846
identifier_str_mv Almeida, Erika Silva e Souza de. Reality shows musicais: do corpo-candidato ao corpo-commodity. 2018. 100 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.
url https://tede2.pucsp.br/handle/handle/21846
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dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Comunicação e Semiótica
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Filosofia, Comunicação, Letras e Artes
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP
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