O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta

Detalhes bibliográficos
Ano de defesa: 2016
Autor(a) principal: Manghirmalani, Juily Jyotsna Seixas
Orientador(a): Costa, Flávia Cesarino lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de São Carlos
Câmpus São Carlos
Programa de Pós-Graduação: Programa de Pós-Graduação em Imagem e Som - PPGIS
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Cinema indiano
Trilogia dos Elementos
Deepa Mehta
Área do conhecimento CNPq:
LINGUISTICA, LETRAS E ARTES
Link de acesso: https://repositorio.ufscar.br/handle/ufscar/8301
Resumo: This research aims to study the films that form the Elements Trilogy, by the Indo-Canadian director Deepa Mehta. Released between 1996 and 2005, the trilogy is part of the production by the Indian diaspora, that is to say, films without strictly defined national borders. Recurring themes in transnational films will be addressed, such as class, ethnicity, sexuality and the concept behind nations. Our purpose is to understand the power structures in India and its implications on female gender policies in these films. The trilogy comprises Fire (1996), 1947-Earth (1998) and Water (2005) and approaches three moments in Indian history throughout the female subjectivity. Deepa Mehta proposes discussions through the criticism presented in her films regarding the interconnection between the fundamentalism Hinduism and women's role in Indian society and culture. We intend to detect these criticisms as we analyze sequences in the three films, using the following method: observation of the narrative pattern, the themes chosen and the articulation of visual and sound strategies.
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spelling Manghirmalani, Juily Jyotsna SeixasCosta, Flávia Cesarinohttp://lattes.cnpq.br/1653890782950111http://lattes.cnpq.br/33227402741597992016-11-08T18:55:47Z2016-11-08T18:55:47Z2016-03-16MANGHIRMALANI, Juily Jyotsna Seixas. O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta. 2016. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2016. Disponível em: https://repositorio.ufscar.br/handle/ufscar/8301.https://repositorio.ufscar.br/handle/ufscar/8301This research aims to study the films that form the Elements Trilogy, by the Indo-Canadian director Deepa Mehta. Released between 1996 and 2005, the trilogy is part of the production by the Indian diaspora, that is to say, films without strictly defined national borders. Recurring themes in transnational films will be addressed, such as class, ethnicity, sexuality and the concept behind nations. Our purpose is to understand the power structures in India and its implications on female gender policies in these films. The trilogy comprises Fire (1996), 1947-Earth (1998) and Water (2005) and approaches three moments in Indian history throughout the female subjectivity. Deepa Mehta proposes discussions through the criticism presented in her films regarding the interconnection between the fundamentalism Hinduism and women's role in Indian society and culture. We intend to detect these criticisms as we analyze sequences in the three films, using the following method: observation of the narrative pattern, the themes chosen and the articulation of visual and sound strategies.Esta pesquisa propõe-se a estudar os filmes pertencentes à Trilogia dos Elementos da diretora indo-canadense Deepa Mehta. Realizada entre os anos de 1996 e 2005, a trilogia faz parte do cinema de diáspora indiano, ou seja, uma cinematografia que cruza fronteiras. Partindo desse ponto, iremos abordar temáticas recorrentes a filmes transnacionais, como as questões de classe, etnias, sexualidade e nações, com a finalidade de compreender as relações de poder imbricadas às políticas de gênero feminino nos filmes da diretora. A trilogia é composta por Fogo e Desejo (1996), 1947-Earth(1998) e Ás Margens do Rio Sagrado (2005) e introduz três momentos da história da Índia em vínculo à subjetividade feminino. Deepa Mehta abre discussões através de críticas apresentadas em seus filmes, sobre a interligação entre o hinduísmo fundamentalista e os papéis das mulheres na cultura e sociedade indiana. Pretendemos detectar essas críticas ao longo da análise de sequências que ocorrerão através da observação das narrativas, das estratégias imagéticas e sonoras articuladas nos três filmes.Não recebi financiamentoporUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Imagem e Som - PPGISUFSCarCinema indianoTrilogia dos ElementosDeepa MehtaLINGUISTICA, LETRAS E ARTESO cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehtainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOnlineinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINALDissJJSM.pdfDissJJSM.pdfapplication/pdf116127248https://{{ getenv "DSPACE_HOST" "repositorio.ufscar.br" }}/bitstream/ufscar/8301/1/DissJJSM.pdf0b2a0476a8efa0969a5fd559678a1d0dMD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81957https://{{ getenv "DSPACE_HOST" "repositorio.ufscar.br" }}/bitstream/ufscar/8301/2/license.txtae0398b6f8b235e40ad82cba6c50031dMD52TEXTDissJJSM.pdf.txtDissJJSM.pdf.txtExtracted texttext/plain269380https://{{ getenv "DSPACE_HOST" "repositorio.ufscar.br" }}/bitstream/ufscar/8301/3/DissJJSM.pdf.txtfe1711b09a221d7003cb9f172a62fe22MD53THUMBNAILDissJJSM.pdf.jpgDissJJSM.pdf.jpgIM Thumbnailimage/jpeg5046https://{{ getenv "DSPACE_HOST" "repositorio.ufscar.br" }}/bitstream/ufscar/8301/4/DissJJSM.pdf.jpg4ac81d6883cdee0f16bbdc6a93d33ca3MD54ufscar/83012019-09-11 02:39:45.711oai:repositorio.ufscar.br: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Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-05-25T12:53:33.821771Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false
dc.title.por.fl_str_mv O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta
title O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta
spellingShingle O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta
Manghirmalani, Juily Jyotsna Seixas
Cinema indiano
Trilogia dos Elementos
Deepa Mehta
LINGUISTICA, LETRAS E ARTES
title_short O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta
title_full O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta
title_fullStr O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta
title_full_unstemmed O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta
title_sort O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta
author Manghirmalani, Juily Jyotsna Seixas
author_facet Manghirmalani, Juily Jyotsna Seixas
author_role author
dc.contributor.authorlattes.por.fl_str_mv http://lattes.cnpq.br/3322740274159799
dc.contributor.author.fl_str_mv Manghirmalani, Juily Jyotsna Seixas
dc.contributor.advisor1.fl_str_mv Costa, Flávia Cesarino
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1653890782950111
contributor_str_mv Costa, Flávia Cesarino
dc.subject.por.fl_str_mv Cinema indiano
Trilogia dos Elementos
Deepa Mehta
topic Cinema indiano
Trilogia dos Elementos
Deepa Mehta
LINGUISTICA, LETRAS E ARTES
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES
description This research aims to study the films that form the Elements Trilogy, by the Indo-Canadian director Deepa Mehta. Released between 1996 and 2005, the trilogy is part of the production by the Indian diaspora, that is to say, films without strictly defined national borders. Recurring themes in transnational films will be addressed, such as class, ethnicity, sexuality and the concept behind nations. Our purpose is to understand the power structures in India and its implications on female gender policies in these films. The trilogy comprises Fire (1996), 1947-Earth (1998) and Water (2005) and approaches three moments in Indian history throughout the female subjectivity. Deepa Mehta proposes discussions through the criticism presented in her films regarding the interconnection between the fundamentalism Hinduism and women's role in Indian society and culture. We intend to detect these criticisms as we analyze sequences in the three films, using the following method: observation of the narrative pattern, the themes chosen and the articulation of visual and sound strategies.
publishDate 2016
dc.date.accessioned.fl_str_mv 2016-11-08T18:55:47Z
dc.date.available.fl_str_mv 2016-11-08T18:55:47Z
dc.date.issued.fl_str_mv 2016-03-16
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
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dc.identifier.citation.fl_str_mv MANGHIRMALANI, Juily Jyotsna Seixas. O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta. 2016. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2016. Disponível em: https://repositorio.ufscar.br/handle/ufscar/8301.
dc.identifier.uri.fl_str_mv https://repositorio.ufscar.br/handle/ufscar/8301
identifier_str_mv MANGHIRMALANI, Juily Jyotsna Seixas. O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta. 2016. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2016. Disponível em: https://repositorio.ufscar.br/handle/ufscar/8301.
url https://repositorio.ufscar.br/handle/ufscar/8301
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.publisher.none.fl_str_mv Universidade Federal de São Carlos
Câmpus São Carlos
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Imagem e Som - PPGIS
dc.publisher.initials.fl_str_mv UFSCar
publisher.none.fl_str_mv Universidade Federal de São Carlos
Câmpus São Carlos
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFSCAR
instname:Universidade Federal de São Carlos (UFSCAR)
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instname_str Universidade Federal de São Carlos (UFSCAR)
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reponame_str Repositório Institucional da UFSCAR
collection Repositório Institucional da UFSCAR
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