As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio
| Ano de defesa: | 2025 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Estadual de Feira de Santana
|
| Programa de Pós-Graduação: |
Mestrado Acadêmico em Desenho Cultura e Interatividade
|
| Departamento: |
DEPARTAMENTO DE LETRAS E ARTES
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://tede2.uefs.br:8080/handle/tede/1946 |
Resumo: | This dissertation investigates the horned masks of the Carnival of Maragogipe, in the state of Bahia, as symbolic expressions of the local popular culture. The research is grounded in both personal and community experiences, aiming to understand the aesthetic, historical, and identity-based meanings of these masks, which stand out for their visual impact and strong presence in the streets during the festivities. Based on theorists such as Canclini (1995, 2003), Paulo Miguez (2004), Bakhtin (1987), Tylor (2014), Arantes (1990), among others, the study proposes an interdisciplinary analysis based on three main axes: culture, carnival, and heritage. The methodological approach is qualitative, employing bibliographic, documentary, and field research, including photographic records. The dissertation is structured in three chapters: the first introduces the city of Maragogipe and its cultural narratives; the second discusses carnival in both universal and localized dimensions; and the third analyzes the horned masks as cultural and heritage elements. In conclusion, the study presents the findings and reaffirms the importance of valuing the cultural traditions of the Recôncavo Baiano, with emphasis on the role of the horned masks as living symbols of Maragogipe's identity. |
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Santos, Maria da Graça Rodrigues doshttps://orcid.org/0000-0001-5917-1195http://lattes.cnpq.br/22223552263479155098880136399588http://lattes.cnpq.br/5098880136399588Seixas, Eder Santos2025-10-07T18:14:27Z2025-07-21SEIXAS, Eder Santos. As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio, 2025, 126 f., Dissertação (mestrado) - Programa de Pós-Graduação em Desenho Cultura e Interatividade, Universidade Estadual de Feira de Santana, Feira de Santana.http://tede2.uefs.br:8080/handle/tede/1946This dissertation investigates the horned masks of the Carnival of Maragogipe, in the state of Bahia, as symbolic expressions of the local popular culture. The research is grounded in both personal and community experiences, aiming to understand the aesthetic, historical, and identity-based meanings of these masks, which stand out for their visual impact and strong presence in the streets during the festivities. Based on theorists such as Canclini (1995, 2003), Paulo Miguez (2004), Bakhtin (1987), Tylor (2014), Arantes (1990), among others, the study proposes an interdisciplinary analysis based on three main axes: culture, carnival, and heritage. The methodological approach is qualitative, employing bibliographic, documentary, and field research, including photographic records. The dissertation is structured in three chapters: the first introduces the city of Maragogipe and its cultural narratives; the second discusses carnival in both universal and localized dimensions; and the third analyzes the horned masks as cultural and heritage elements. In conclusion, the study presents the findings and reaffirms the importance of valuing the cultural traditions of the Recôncavo Baiano, with emphasis on the role of the horned masks as living symbols of Maragogipe's identity.Esta dissertação investiga as máscaras de chifre do Carnaval de Maragogipe, na Bahia, como expressões simbólicas da cultura popular local. A pesquisa parte de uma vivência pessoal e comunitária, buscando compreender os significados estéticos, históricos e identitários dessas máscaras, que se destacam por sua força visual e presença marcante nas ruas da cidade durante a festa. Fundamentado em autores como Canclini (1995, 2003), Paulo Miguez (2004), Bakhtin (1987), Tylor (2014), Arantes (1990) e outros, o estudo propõe uma análise interdisciplinar a partir de três eixos principais: cultura, carnaval e patrimônio. A abordagem é qualitativa, com uso de pesquisa bibliográfica, documental e de campo, incluindo registros fotográficos. A estrutura da dissertação contempla três capítulos: o primeiro apresenta a cidade de Maragogipe e suas narrativas culturais; o segundo discute o carnaval em suas dimensões universal e local; e o terceiro analisa as máscaras de chifre como elementos culturais e patrimoniais. Ao final, o trabalho apresenta os resultados obtidos e reafirma a importância da valorização das tradições culturais do Recôncavo Baiano, com ênfase no papel das máscaras de chifre como símbolos vivos da identidade maragogipana.Submitted by Daniela Costa (dmscosta@uefs.br) on 2025-10-07T18:14:27Z No. of bitstreams: 1 EDER_SANTOS_SEIXAS___Dissertação.pdf: 8991280 bytes, checksum: 945cc91d7cc7ba3de2d2b68df20f47cd (MD5)Made available in DSpace on 2025-10-07T18:14:27Z (GMT). No. of bitstreams: 1 EDER_SANTOS_SEIXAS___Dissertação.pdf: 8991280 bytes, checksum: 945cc91d7cc7ba3de2d2b68df20f47cd (MD5) Previous issue date: 2025-07-21application/pdfhttp://tede2.uefs.br:8080/retrieve/8116/EDER_SANTOS_SEIXAS___Disserta%c3%a7%c3%a3o.pdf.jpgporUniversidade Estadual de Feira de SantanaMestrado Acadêmico em Desenho Cultura e InteratividadeUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESMaragogipeMáscarasCarnavalCulturaPatrimônioMaragogipeMasksCarnivalCultureHeritageARTES PLASTICAS::DESENHOAs máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônioinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis62188143539701040746006006006451293484473876986-2403007199550237984info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEFSinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSTHUMBNAILEDER_SANTOS_SEIXAS___Dissertação.pdf.jpgEDER_SANTOS_SEIXAS___Dissertação.pdf.jpgimage/jpeg2555http://tede2.uefs.br:8080/bitstream/tede/1946/4/EDER_SANTOS_SEIXAS___Disserta%C3%A7%C3%A3o.pdf.jpg9eee74dbc7dc012555d1a5bb8cadf2c9MD54TEXTEDER_SANTOS_SEIXAS___Dissertação.pdf.txtEDER_SANTOS_SEIXAS___Dissertação.pdf.txttext/plain199411http://tede2.uefs.br:8080/bitstream/tede/1946/3/EDER_SANTOS_SEIXAS___Disserta%C3%A7%C3%A3o.pdf.txt0dc0806e860d8da7af418150103d3c8cMD53ORIGINALEDER_SANTOS_SEIXAS___Dissertação.pdfEDER_SANTOS_SEIXAS___Dissertação.pdfapplication/pdf8991280http://tede2.uefs.br:8080/bitstream/tede/1946/2/EDER_SANTOS_SEIXAS___Disserta%C3%A7%C3%A3o.pdf945cc91d7cc7ba3de2d2b68df20f47cdMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82089http://tede2.uefs.br:8080/bitstream/tede/1946/1/license.txt7b5ba3d2445355f386edab96125d42b7MD51tede/19462025-10-08 01:00:08.756oai:tede2.uefs.br:8080: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.uefs.br:8080/PUBhttp://tede2.uefs.br:8080/oai/requestbcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.bropendoar:2025-10-08T04:00:08Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)false |
| dc.title.por.fl_str_mv |
As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio |
| title |
As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio |
| spellingShingle |
As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio Seixas, Eder Santos Maragogipe Máscaras Carnaval Cultura Patrimônio Maragogipe Masks Carnival Culture Heritage ARTES PLASTICAS::DESENHO |
| title_short |
As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio |
| title_full |
As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio |
| title_fullStr |
As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio |
| title_full_unstemmed |
As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio |
| title_sort |
As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio |
| author |
Seixas, Eder Santos |
| author_facet |
Seixas, Eder Santos |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Santos, Maria da Graça Rodrigues dos |
| dc.contributor.advisor1ID.fl_str_mv |
https://orcid.org/0000-0001-5917-1195 |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2222355226347915 |
| dc.contributor.authorID.fl_str_mv |
5098880136399588 |
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http://lattes.cnpq.br/5098880136399588 |
| dc.contributor.author.fl_str_mv |
Seixas, Eder Santos |
| contributor_str_mv |
Santos, Maria da Graça Rodrigues dos |
| dc.subject.por.fl_str_mv |
Maragogipe Máscaras Carnaval Cultura Patrimônio |
| topic |
Maragogipe Máscaras Carnaval Cultura Patrimônio Maragogipe Masks Carnival Culture Heritage ARTES PLASTICAS::DESENHO |
| dc.subject.eng.fl_str_mv |
Maragogipe Masks Carnival Culture Heritage |
| dc.subject.cnpq.fl_str_mv |
ARTES PLASTICAS::DESENHO |
| description |
This dissertation investigates the horned masks of the Carnival of Maragogipe, in the state of Bahia, as symbolic expressions of the local popular culture. The research is grounded in both personal and community experiences, aiming to understand the aesthetic, historical, and identity-based meanings of these masks, which stand out for their visual impact and strong presence in the streets during the festivities. Based on theorists such as Canclini (1995, 2003), Paulo Miguez (2004), Bakhtin (1987), Tylor (2014), Arantes (1990), among others, the study proposes an interdisciplinary analysis based on three main axes: culture, carnival, and heritage. The methodological approach is qualitative, employing bibliographic, documentary, and field research, including photographic records. The dissertation is structured in three chapters: the first introduces the city of Maragogipe and its cultural narratives; the second discusses carnival in both universal and localized dimensions; and the third analyzes the horned masks as cultural and heritage elements. In conclusion, the study presents the findings and reaffirms the importance of valuing the cultural traditions of the Recôncavo Baiano, with emphasis on the role of the horned masks as living symbols of Maragogipe's identity. |
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2025 |
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2025-10-07T18:14:27Z |
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2025-07-21 |
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SEIXAS, Eder Santos. As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio, 2025, 126 f., Dissertação (mestrado) - Programa de Pós-Graduação em Desenho Cultura e Interatividade, Universidade Estadual de Feira de Santana, Feira de Santana. |
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http://tede2.uefs.br:8080/handle/tede/1946 |
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SEIXAS, Eder Santos. As máscaras de chifre do carnaval de Maragogipe-BA: carnaval, cultura e patrimônio, 2025, 126 f., Dissertação (mestrado) - Programa de Pós-Graduação em Desenho Cultura e Interatividade, Universidade Estadual de Feira de Santana, Feira de Santana. |
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