A fluidez identit?ria em Memorial do Convento, de Jos? Saramago
Ano de defesa: | 2018 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Estadual de Feira de Santana
|
Programa de Pós-Graduação: |
Mestrado Acad?mico em Estudos Liter?rios
|
Departamento: |
DEPARTAMENTO DE LETRAS E ARTES
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://tede2.uefs.br:8080/handle/tede/840 |
Resumo: | This research presents some impacts of the Post-modernity in the literary art, highlighting the identity fluidity of the main characters of the novel Memorial do convento (1982), namely: Bartolomeu Louren?o de Gusm?o, Blimunda Sete-Luas e Baltasar Mateus Sete-S?is. This study aims to understand the fragmentation of these main characters that go beyond their time. The first one, who is a priest and also a man of the science, lives the conflict between faith, dogma and reason; furthermore, he wants to be able to fly, in a time when mankind did not have the technology needed to navigate through the air. The second character is a woman, who was able to see beyond what physical vision could, conflicted between closing her eyes to the ignorance and experimenting the pain that knowledge and wisdom may cause. Baltasar, on the other hand, was a crippled former soldier who found in the construction of the time machine a blow of consciousness about his role in the universe. We aim to describe a smooth identity profile of these personalities and the manner in which their identities are shown throughout the narrative. For the realization of this study we chose the studies by theoreticians like: Jean-Fran?ois Lyotard (1986), Zygmunt Bauman (2009, 2005, 2001, 1998) e Stuart Hall (2002, 2002, 1997), to talk about Post-Modernity, and consequently, about identity; and Jacques Le Goff (2013), Linda Hutcheon (2000, 1991) e Peter Burke (1992) to talk about the aspects of History and the Historiographic Metafiction. We also used the critical contributions of the following scholars: Ana Paula Arnaut (2008), Vera Bastazin (2006), Carlos Reis (2008, 2004) and Jo?o Marques Lopes (2010), who helped us comprehend in Saramago?s writing, which is singular and innovative, the legacy of his books for global literature. |
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Valverde, T?rcia Costa9722891553404881668536http://lattes.cnpq.br/3169402619212172Cabral, Tha?la Moura2019-08-15T22:49:01Z2018-12-03CABRAL, Tha?la Moura. A fluidez identit?ria em Memorial do Convento, de Jos? Saramago. 2018. 95 f. Disserta??o (Mestrado Acad?mico em Estudos Liter?rios)- Universidade Estadual de Feira de Santana, Feira de Santana, 2018.http://tede2.uefs.br:8080/handle/tede/840This research presents some impacts of the Post-modernity in the literary art, highlighting the identity fluidity of the main characters of the novel Memorial do convento (1982), namely: Bartolomeu Louren?o de Gusm?o, Blimunda Sete-Luas e Baltasar Mateus Sete-S?is. This study aims to understand the fragmentation of these main characters that go beyond their time. The first one, who is a priest and also a man of the science, lives the conflict between faith, dogma and reason; furthermore, he wants to be able to fly, in a time when mankind did not have the technology needed to navigate through the air. The second character is a woman, who was able to see beyond what physical vision could, conflicted between closing her eyes to the ignorance and experimenting the pain that knowledge and wisdom may cause. Baltasar, on the other hand, was a crippled former soldier who found in the construction of the time machine a blow of consciousness about his role in the universe. We aim to describe a smooth identity profile of these personalities and the manner in which their identities are shown throughout the narrative. For the realization of this study we chose the studies by theoreticians like: Jean-Fran?ois Lyotard (1986), Zygmunt Bauman (2009, 2005, 2001, 1998) e Stuart Hall (2002, 2002, 1997), to talk about Post-Modernity, and consequently, about identity; and Jacques Le Goff (2013), Linda Hutcheon (2000, 1991) e Peter Burke (1992) to talk about the aspects of History and the Historiographic Metafiction. We also used the critical contributions of the following scholars: Ana Paula Arnaut (2008), Vera Bastazin (2006), Carlos Reis (2008, 2004) and Jo?o Marques Lopes (2010), who helped us comprehend in Saramago?s writing, which is singular and innovative, the legacy of his books for global literature.Na presente pesquisa, apresentamos alguns reflexos da P?s-Modernidade na arte liter?ria, com destaque para a fluidez identit?ria dos personagens principais do romance de Jos? Saramago Memorial do convento (1982), a saber: Bartolomeu Louren?o de Gusm?o, Blimunda Sete-Luas e Baltasar Mateus Sete-S?is. Neste estudo, buscamos compreender a fragmenta??o desses protagonistas, que, representados no s?culo XVIII, apresentam caracter?sticas que transcendem ? ?poca. O primeiro, padre e, ao mesmo tempo, homem da ci?ncia, vive o conflito entre f?, dogma e raz?o, ademais, quer atingir a capacidade de voar, em um tempo em que o homem ainda n?o tinha a tecnologia necess?ria para trafegar pelos ares; a segunda ? uma mulher que v? al?m do que se podia ver e do que a vis?o biol?gica alcan?aria, ficando, assim, entre vendar os olhos para a ignor?ncia e experimentar a dor que o conhecimento e a sabedoria podem causar; j? Baltasar ? um ex-soldado maneta, que encontrou na constru??o da m?quina de voar um sopro de consci?ncia quanto ao seu papel no universo. Buscamos delinear o perfil identit?rio fluido dessas tr?s figuras e como tais identidades se constituem ao longo da narrativa. Para a concretiza??o do trabalho, lan?amos m?o dos estudos de te?ricos como: Jean-Fran?ois Lyotard (1986), Zygmunt Bauman (2009, 2005, 2001, 1998) e Stuart Hall (2002, 2002, 1997), para falarmos sobre P?s-Modernidade e, por conseguinte, sobre identidade; e Jacques Le Goff (2013), Linda Hutcheon (2000, 1991) e Peter Burke (1992), sobre aspectos da Hist?ria e da Metafic??o Historiogr?fica. Foram utilizadas ainda as contribui??es cr?ticas dos estudiosos Ana Paula Arnaut (2008), Vera Bastazin (2006), Carlos Reis (2008, 2004) e Jo?o Marques Lopes (2010), que nos auxiliaram a perceber, na perspectiva singular e inovadora da escrita saramaguiana, o legado de seus livros para a literatura mundial.Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2019-08-15T22:49:01Z No. of bitstreams: 1 Disserta??o completa - Final - Tha?la Moura Cabral.pdf: 725646 bytes, checksum: a56c57fd63f3fae3f287c9aa90d6f753 (MD5)Made available in DSpace on 2019-08-15T22:49:01Z (GMT). No. of bitstreams: 1 Disserta??o completa - Final - Tha?la Moura Cabral.pdf: 725646 bytes, checksum: a56c57fd63f3fae3f287c9aa90d6f753 (MD5) Previous issue date: 2018-12-03Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPESapplication/pdfporUniversidade Estadual de Feira de SantanaMestrado Acad?mico em Estudos Liter?riosUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESLiteratura PortuguesaJos? SaramagoMemorial do conventoFragmenta??o identit?riaMetafic??o Historiogr?ficaPortuguese LiteratureIdentity fragmentationHistoriographic MetafictionLETRAS::LITERATURA BRASILEIRALETRAS::LINGUA PORTUGUESAA fluidez identit?ria em Memorial do Convento, de Jos? 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dc.title.por.fl_str_mv |
A fluidez identit?ria em Memorial do Convento, de Jos? Saramago |
title |
A fluidez identit?ria em Memorial do Convento, de Jos? Saramago |
spellingShingle |
A fluidez identit?ria em Memorial do Convento, de Jos? Saramago Cabral, Tha?la Moura Literatura Portuguesa Jos? Saramago Memorial do convento Fragmenta??o identit?ria Metafic??o Historiogr?fica Portuguese Literature Identity fragmentation Historiographic Metafiction LETRAS::LITERATURA BRASILEIRA LETRAS::LINGUA PORTUGUESA |
title_short |
A fluidez identit?ria em Memorial do Convento, de Jos? Saramago |
title_full |
A fluidez identit?ria em Memorial do Convento, de Jos? Saramago |
title_fullStr |
A fluidez identit?ria em Memorial do Convento, de Jos? Saramago |
title_full_unstemmed |
A fluidez identit?ria em Memorial do Convento, de Jos? Saramago |
title_sort |
A fluidez identit?ria em Memorial do Convento, de Jos? Saramago |
author |
Cabral, Tha?la Moura |
author_facet |
Cabral, Tha?la Moura |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Valverde, T?rcia Costa |
dc.contributor.advisor1ID.fl_str_mv |
97228915534 |
dc.contributor.authorID.fl_str_mv |
04881668536 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3169402619212172 |
dc.contributor.author.fl_str_mv |
Cabral, Tha?la Moura |
contributor_str_mv |
Valverde, T?rcia Costa |
dc.subject.por.fl_str_mv |
Literatura Portuguesa Jos? Saramago Memorial do convento Fragmenta??o identit?ria Metafic??o Historiogr?fica |
topic |
Literatura Portuguesa Jos? Saramago Memorial do convento Fragmenta??o identit?ria Metafic??o Historiogr?fica Portuguese Literature Identity fragmentation Historiographic Metafiction LETRAS::LITERATURA BRASILEIRA LETRAS::LINGUA PORTUGUESA |
dc.subject.eng.fl_str_mv |
Portuguese Literature Identity fragmentation Historiographic Metafiction |
dc.subject.cnpq.fl_str_mv |
LETRAS::LITERATURA BRASILEIRA LETRAS::LINGUA PORTUGUESA |
description |
This research presents some impacts of the Post-modernity in the literary art, highlighting the identity fluidity of the main characters of the novel Memorial do convento (1982), namely: Bartolomeu Louren?o de Gusm?o, Blimunda Sete-Luas e Baltasar Mateus Sete-S?is. This study aims to understand the fragmentation of these main characters that go beyond their time. The first one, who is a priest and also a man of the science, lives the conflict between faith, dogma and reason; furthermore, he wants to be able to fly, in a time when mankind did not have the technology needed to navigate through the air. The second character is a woman, who was able to see beyond what physical vision could, conflicted between closing her eyes to the ignorance and experimenting the pain that knowledge and wisdom may cause. Baltasar, on the other hand, was a crippled former soldier who found in the construction of the time machine a blow of consciousness about his role in the universe. We aim to describe a smooth identity profile of these personalities and the manner in which their identities are shown throughout the narrative. For the realization of this study we chose the studies by theoreticians like: Jean-Fran?ois Lyotard (1986), Zygmunt Bauman (2009, 2005, 2001, 1998) e Stuart Hall (2002, 2002, 1997), to talk about Post-Modernity, and consequently, about identity; and Jacques Le Goff (2013), Linda Hutcheon (2000, 1991) e Peter Burke (1992) to talk about the aspects of History and the Historiographic Metafiction. We also used the critical contributions of the following scholars: Ana Paula Arnaut (2008), Vera Bastazin (2006), Carlos Reis (2008, 2004) and Jo?o Marques Lopes (2010), who helped us comprehend in Saramago?s writing, which is singular and innovative, the legacy of his books for global literature. |
publishDate |
2018 |
dc.date.issued.fl_str_mv |
2018-12-03 |
dc.date.accessioned.fl_str_mv |
2019-08-15T22:49:01Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
CABRAL, Tha?la Moura. A fluidez identit?ria em Memorial do Convento, de Jos? Saramago. 2018. 95 f. Disserta??o (Mestrado Acad?mico em Estudos Liter?rios)- Universidade Estadual de Feira de Santana, Feira de Santana, 2018. |
dc.identifier.uri.fl_str_mv |
http://tede2.uefs.br:8080/handle/tede/840 |
identifier_str_mv |
CABRAL, Tha?la Moura. A fluidez identit?ria em Memorial do Convento, de Jos? Saramago. 2018. 95 f. Disserta??o (Mestrado Acad?mico em Estudos Liter?rios)- Universidade Estadual de Feira de Santana, Feira de Santana, 2018. |
url |
http://tede2.uefs.br:8080/handle/tede/840 |
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por |
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Universidade Estadual de Feira de Santana |
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