O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho
| Ano de defesa: | 2009 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Estadual da Paraíba
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI
|
| Departamento: |
Centro de Educação - CEDUC
Pró-Reitoria de Pós-Graduação e Pesquisa - PRPGP |
| País: |
BR
|
| Palavras-chave em Português: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | https://repositorio.uepb.edu.br/handle/123456789/73014 |
Resumo: | This work consist on the study of the meaning of charivari at Lourdes Ramalho’s (1997), homonymous book. The gool of the research is to demonstrate the carnavalization of moral volues and the ethic principles established by medieval Doutrine Cotholic Church and reveal the main transformations introduced by the literry work of the mentioned authoress. Based on the theoretical ideas on culture and popular literature written by Burke (1989), on the perpective of the carnivalization created by Bakhtin (1999), and on the menipéia satire constituted by Vasconcelos (1996), besides on the theoretical studyies about medieval cahrivari researched by Minois (2003), Berthold (2001) and Trompson (1998), on the sex nations as a deviation and Devil’s creation instituted by Barros ( 2001), Richards (1993) and sucuteri (1985), and finally on the symbolic and imaginary conception studied by Durand(2002), this work showed the unholy process and the valorization of exacerbate Eros suitable with the characters actions emphasing the simbolic, alegoric and methaphoric meanings of the Devil’s acts as the responsible transformer of this process. The comparative method was used at this work, showing that, through the analysis of the characters actions, both: the Lourdes Ramalho ideas and the similarity with the differences between these ideas and the medieval charivari in order to conclude that even tough there are structural, formal and contentness resemblances, it should be understandable that the main difference is reported to charivari’s function at Lourdes Ramalho book, because, in his opposition, the medieval charivari had the objectives to eliminate defects, bad habits and human limitations related to the conjugal infidelity and the sexual behaviours condemned by the church, and the Ramalho’s charivari discharges and exalts the absolute etotic pleasure. |
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2016-09-02T13:58:20Z2026-02-26T14:46:16Z2009-08-27Arruda, Maria do Socorro Araújo de. O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho. 2009, 109 p. Dissertação (Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI) - Universidade Estadual da Paraíba, Campina Grande.https://repositorio.uepb.edu.br/handle/123456789/7301424004014004P2This work consist on the study of the meaning of charivari at Lourdes Ramalho’s (1997), homonymous book. The gool of the research is to demonstrate the carnavalization of moral volues and the ethic principles established by medieval Doutrine Cotholic Church and reveal the main transformations introduced by the literry work of the mentioned authoress. Based on the theoretical ideas on culture and popular literature written by Burke (1989), on the perpective of the carnivalization created by Bakhtin (1999), and on the menipéia satire constituted by Vasconcelos (1996), besides on the theoretical studyies about medieval cahrivari researched by Minois (2003), Berthold (2001) and Trompson (1998), on the sex nations as a deviation and Devil’s creation instituted by Barros ( 2001), Richards (1993) and sucuteri (1985), and finally on the symbolic and imaginary conception studied by Durand(2002), this work showed the unholy process and the valorization of exacerbate Eros suitable with the characters actions emphasing the simbolic, alegoric and methaphoric meanings of the Devil’s acts as the responsible transformer of this process. The comparative method was used at this work, showing that, through the analysis of the characters actions, both: the Lourdes Ramalho ideas and the similarity with the differences between these ideas and the medieval charivari in order to conclude that even tough there are structural, formal and contentness resemblances, it should be understandable that the main difference is reported to charivari’s function at Lourdes Ramalho book, because, in his opposition, the medieval charivari had the objectives to eliminate defects, bad habits and human limitations related to the conjugal infidelity and the sexual behaviours condemned by the church, and the Ramalho’s charivari discharges and exalts the absolute etotic pleasure.Este trabalho versa sobre a ressignificação do charivari na obra homônima de Lourdes Ramalho (1997), com a finalidade de demonstrar a carnavalização dos valores morais e dos princípios éticos instituídos pela Igreja medieval e as transformações sofridas através da construção literária da referida autora. Embasados nos aportes teóricos sobre cultura e literatura popular por Burke (1989), na perspectiva da carnavalização por Bakhtin (1999) e da sátira menipéia por Vasconcelos (1996), dos estudos teóricos sobre o charivari medieval por Minois (2003) Berthold (2001) e Trompson (1998), das noções do sexo como desvio e danação por Barros (2001) Richards (1993) e Sucuteri (1985), e pela concepção do imaginário simbólico estudado por Durand (2002), demonstramos a dessacralização e a valorização do Eros exacerbado condizente com as ações dos personagens com ênfase no sentido simbólico, metafórico e alegórico da atuação do Diabo como agente transformador desse processo. Utilizando um método comparativo, demonstramos através da análise das ações dos personagens, tanto o conteúdo da obra ramalhiana, quanto ás semelhanças e diferenças entre esta obra e o charivari medieval, para concluir que, apesar das semelhanças estruturais, formais e conteudísticas entendemos que a diferença está na função do charivari de Lourdes Ramalho, que ao contrário do medieval que tinha como finalidade execrar defeitos, vícios e limitações humanas no que concerne à infidelidade conjugal e aos comportamentos sexuais reprováveis pela Igreja, tanto libera quanto exalta o prazer erótico absoluto.application/pdfUniversidade Estadual da ParaíbaPrograma de Pós-Graduação em Literatura e Interculturalidade - PPGLIUEPBBRCentro de Educação - CEDUCPró-Reitoria de Pós-Graduação e Pesquisa - PRPGPCIENCIAS SOCIAIS APLICADASLiteratura brasileira - Lourdes RamalhoCarnavalizaçãoRessignificaçãoErotismoO diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalhoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisRibeiro, Maria GorettiArruda, Maria do Socorro Araújo deinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da Universidade Estadual da Paraíba (UEPB)instname:Universidade Estadual da Paraíba (UEPB)instacron:UEPBLICENSElicense.txtlicense.txttext/plain; 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| dc.title.none.fl_str_mv |
O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho |
| title |
O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho |
| spellingShingle |
O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho Arruda, Maria do Socorro Araújo de CIENCIAS SOCIAIS APLICADAS Literatura brasileira - Lourdes RamalhoCarnavalizaçãoRessignificaçãoErotismo |
| title_short |
O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho |
| title_full |
O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho |
| title_fullStr |
O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho |
| title_full_unstemmed |
O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho |
| title_sort |
O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho |
| author |
Arruda, Maria do Socorro Araújo de |
| author_facet |
Arruda, Maria do Socorro Araújo de |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Ribeiro, Maria Goretti |
| dc.contributor.author.fl_str_mv |
Arruda, Maria do Socorro Araújo de |
| contributor_str_mv |
Ribeiro, Maria Goretti |
| dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS |
| topic |
CIENCIAS SOCIAIS APLICADAS Literatura brasileira - Lourdes RamalhoCarnavalizaçãoRessignificaçãoErotismo |
| dc.subject.por.fl_str_mv |
Literatura brasileira - Lourdes RamalhoCarnavalizaçãoRessignificaçãoErotismo |
| description |
This work consist on the study of the meaning of charivari at Lourdes Ramalho’s (1997), homonymous book. The gool of the research is to demonstrate the carnavalization of moral volues and the ethic principles established by medieval Doutrine Cotholic Church and reveal the main transformations introduced by the literry work of the mentioned authoress. Based on the theoretical ideas on culture and popular literature written by Burke (1989), on the perpective of the carnivalization created by Bakhtin (1999), and on the menipéia satire constituted by Vasconcelos (1996), besides on the theoretical studyies about medieval cahrivari researched by Minois (2003), Berthold (2001) and Trompson (1998), on the sex nations as a deviation and Devil’s creation instituted by Barros ( 2001), Richards (1993) and sucuteri (1985), and finally on the symbolic and imaginary conception studied by Durand(2002), this work showed the unholy process and the valorization of exacerbate Eros suitable with the characters actions emphasing the simbolic, alegoric and methaphoric meanings of the Devil’s acts as the responsible transformer of this process. The comparative method was used at this work, showing that, through the analysis of the characters actions, both: the Lourdes Ramalho ideas and the similarity with the differences between these ideas and the medieval charivari in order to conclude that even tough there are structural, formal and contentness resemblances, it should be understandable that the main difference is reported to charivari’s function at Lourdes Ramalho book, because, in his opposition, the medieval charivari had the objectives to eliminate defects, bad habits and human limitations related to the conjugal infidelity and the sexual behaviours condemned by the church, and the Ramalho’s charivari discharges and exalts the absolute etotic pleasure. |
| publishDate |
2009 |
| dc.date.issued.fl_str_mv |
2009-08-27 |
| dc.date.accessioned.fl_str_mv |
2016-09-02T13:58:20Z 2026-02-26T14:46:16Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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Arruda, Maria do Socorro Araújo de. O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho. 2009, 109 p. Dissertação (Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI) - Universidade Estadual da Paraíba, Campina Grande. |
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https://repositorio.uepb.edu.br/handle/123456789/73014 |
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24004014004P2 |
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Arruda, Maria do Socorro Araújo de. O diabo entrou na igreja: carnalização do sagrado em “Charivari”, de Lourdes Ramalho. 2009, 109 p. Dissertação (Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI) - Universidade Estadual da Paraíba, Campina Grande. 24004014004P2 |
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Universidade Estadual da Paraíba |
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UEPB |
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BR |
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Universidade Estadual da Paraíba |
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