Arqueologia de uma paisagem: ventanias e fragmentos de um futuro em ruínas

• Ano de defesa: 2016
• Autor(a) principal: Smith, Mariana Amorim
• Orientador(a): Costa, Luiz Cláudio da
• Banca de defesa: Campos, Marcelo Gustavo Lima de , Lopes, Livia Flores
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade do Estado do Rio de Janeiro
• Programa de Pós-Graduação: Programa de Pós-Graduação em Artes
• Departamento: Centro de Educação e Humanidades::Instituto de Artes
• País: BR
• Palavras-chave em Português: Paisagem; Ruína; Anacronismo; Futuro; Arqueologia; Espaço; Lugar; Geografia; Vento; Fragmento; Paisagens Ceará; Espaço e tempo em arte; Ruínas na arte
• Palavras-chave em Inglês: Landscape; Ruin; Anachronism; Future; Archeology; Space; Place; Geography; Wind; Fragment
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://www.bdtd.uerj.br/handle/1/7553

This work focuses on the landscapes of the Brazilian State of Ceará. Two distant places of the coast, the Futuro Beach and the Field of Dunes of Bitupitá, are put together here by an anachronistic approach, which generates an overlap of different times and landscapes. This construction is conducted by the wind, which, like the time, blows constantly without ever stopping this on one hand drives us to the future and on the other reveals a buried past. As a theoretical contribution, we bring the concept of history proposed by Walter Benjamin, which leads us to archeology as a way of looking at the temporal multiplicity we have and compose anachronistic narratives for this place. The artistic proposal we present here involves the installation of another space, composed by a collection of photographs, fragments of videos and some drawings, which make us see traces of different places - as in the development of a geography, which brings to the same plane distant spaces and times - in a link made by the images. To name this multiplicity that gives rise to another place we use the concept of heterotopia, developed by Michael Foucault. The ruins that we see in the images here constitute overlapping times, triggering in the present the continuity of what has already happened, as well as projects for the future of the past. We are looking, therefore, to how today we can inscribe an idea of the future, which, instead of sticking to the somewhat apocalyptic directions that are announced, can create other narratives for a possible world.