Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar

Detalhes bibliográficos
Ano de defesa: 2021
Autor(a) principal: Maia, Natália Mendes
Orientador(a): Vieira, Marcelo Dídimo Souza
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Não Informado pela instituição
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Kiyoshi Kurosawa
Fantasmas
Cinema japonês
Horror
Link de acesso: http://www.repositorio.ufc.br/handle/riufc/60407
Resumo: In the research “Ghosts in Kiyoshi Kurosawa's Cinema: disappear, reappear and presentify” we seek to investigate how the apparitions of the "palpable ghosts" produced in this cinematography are articulated. How do these images reposition us as spectators facing death? For a methodological approach, we used a filmic analysis to investigate how ghosts appear in five feature films directed and scripted by Kurosawa, in a study of the formal and narrative relationships that occur in the mise en scène. Our corpus of analysis is constituted by: Séance (Kôrei, 2000), Pulse (Kairo, 2001), Loft (Rofuto, 2005), Retribution (Sakebi, 2006) and Journey to the Shore (Kishibe no Tabi, 2015). Kurosawa believes in the construction of the world through fiction: what is framed on the screen starts to have a materiality, to exist. And if the ghost is on the screen, it also exists. The ghostly apparition modes that emerge from this filmography can contribute to new relationships with the horror genre, the images and the cinema. KEYWORDS Kiyoshi Kurosawa; ghosts; japanese cinema; horror.
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spelling Maia, Natália MendesVieira, Marcelo Dídimo Souza2021-09-13T13:05:25Z2021-09-13T13:05:25Z2021MAIA, Natália Mendes. Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar. 2021. 172 f. Dissertação (Mestrado em Comunicação) – Universidade Federal do Ceará, Fortaleza, 2021.http://www.repositorio.ufc.br/handle/riufc/60407In the research “Ghosts in Kiyoshi Kurosawa's Cinema: disappear, reappear and presentify” we seek to investigate how the apparitions of the "palpable ghosts" produced in this cinematography are articulated. How do these images reposition us as spectators facing death? For a methodological approach, we used a filmic analysis to investigate how ghosts appear in five feature films directed and scripted by Kurosawa, in a study of the formal and narrative relationships that occur in the mise en scène. Our corpus of analysis is constituted by: Séance (Kôrei, 2000), Pulse (Kairo, 2001), Loft (Rofuto, 2005), Retribution (Sakebi, 2006) and Journey to the Shore (Kishibe no Tabi, 2015). Kurosawa believes in the construction of the world through fiction: what is framed on the screen starts to have a materiality, to exist. And if the ghost is on the screen, it also exists. The ghostly apparition modes that emerge from this filmography can contribute to new relationships with the horror genre, the images and the cinema. KEYWORDS Kiyoshi Kurosawa; ghosts; japanese cinema; horror.Na presente pesquisa “Fantasmas no Cinema de Kiyoshi Kurosawa: desparecer, reaparecer e presentificar”, buscamos investigar de que maneira as aparições dos "fantasmas palpáveis" produzidas nesta cinematografia são articuladas. Como essas imagens nos reposicionam enquanto espectadores diante da morte? Para a abordagem metodológica, utilizamos a análise fílmica para investigar como se dão as aparições de fantasmas em cinco longas-metragens dirigidos e roteirizados por Kurosawa, em um estudo das relações formais e narrativas que se dão na mise en scène. Nosso corpus de análise é constituído por: Séance (Kôrei, 2000), Pulse (Kairo, 2001), Loft (Rofuto, 2005), Retribution (Sakebi, 2006) e Journey to the Shore (Kishibe no Tabi, 2015). Kurosawa acredita na construção do mundo por meio da ficção: aquilo que é enquadrado na tela, passa a ter uma materialidade, a existir. E, se o fantasma está na tela, ele também existe. Os modos de aparição fantasmagóricos que emergem dessa filmografia podem contribuir para novas relações com o gênero do horror, as imagens e o cinema.Kiyoshi KurosawaFantasmasCinema japonêsHorrorFantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificarGhosts in Kiyoshi Kurosawa’s cinema: disappear, reappear and presentifyinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCinfo:eu-repo/semantics/openAccessORIGINAL2021_dis_nmmaia.pdf2021_dis_nmmaia.pdfapplication/pdf9154488http://repositorio.ufc.br/bitstream/riufc/60407/3/2021_dis_nmmaia.pdf5fa82da35d110d76b49646feca8e1f88MD53LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/60407/4/license.txt8a4605be74aa9ea9d79846c1fba20a33MD54riufc/604072021-09-13 10:06:49.797oai:repositorio.ufc.br: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Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2021-09-13T13:06:49Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false
dc.title.pt_BR.fl_str_mv Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar
dc.title.en.pt_BR.fl_str_mv Ghosts in Kiyoshi Kurosawa’s cinema: disappear, reappear and presentify
title Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar
spellingShingle Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar
Maia, Natália Mendes
Kiyoshi Kurosawa
Fantasmas
Cinema japonês
Horror
title_short Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar
title_full Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar
title_fullStr Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar
title_full_unstemmed Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar
title_sort Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar
author Maia, Natália Mendes
author_facet Maia, Natália Mendes
author_role author
dc.contributor.author.fl_str_mv Maia, Natália Mendes
dc.contributor.advisor1.fl_str_mv Vieira, Marcelo Dídimo Souza
contributor_str_mv Vieira, Marcelo Dídimo Souza
dc.subject.por.fl_str_mv Kiyoshi Kurosawa
Fantasmas
Cinema japonês
Horror
topic Kiyoshi Kurosawa
Fantasmas
Cinema japonês
Horror
description In the research “Ghosts in Kiyoshi Kurosawa's Cinema: disappear, reappear and presentify” we seek to investigate how the apparitions of the "palpable ghosts" produced in this cinematography are articulated. How do these images reposition us as spectators facing death? For a methodological approach, we used a filmic analysis to investigate how ghosts appear in five feature films directed and scripted by Kurosawa, in a study of the formal and narrative relationships that occur in the mise en scène. Our corpus of analysis is constituted by: Séance (Kôrei, 2000), Pulse (Kairo, 2001), Loft (Rofuto, 2005), Retribution (Sakebi, 2006) and Journey to the Shore (Kishibe no Tabi, 2015). Kurosawa believes in the construction of the world through fiction: what is framed on the screen starts to have a materiality, to exist. And if the ghost is on the screen, it also exists. The ghostly apparition modes that emerge from this filmography can contribute to new relationships with the horror genre, the images and the cinema. KEYWORDS Kiyoshi Kurosawa; ghosts; japanese cinema; horror.
publishDate 2021
dc.date.accessioned.fl_str_mv 2021-09-13T13:05:25Z
dc.date.available.fl_str_mv 2021-09-13T13:05:25Z
dc.date.issued.fl_str_mv 2021
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv MAIA, Natália Mendes. Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar. 2021. 172 f. Dissertação (Mestrado em Comunicação) – Universidade Federal do Ceará, Fortaleza, 2021.
dc.identifier.uri.fl_str_mv http://www.repositorio.ufc.br/handle/riufc/60407
identifier_str_mv MAIA, Natália Mendes. Fantasmas no cinema de Kiyoshi Kurosawa: desaparecer, reaparecer e presentificar. 2021. 172 f. Dissertação (Mestrado em Comunicação) – Universidade Federal do Ceará, Fortaleza, 2021.
url http://www.repositorio.ufc.br/handle/riufc/60407
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