O mito de Cassandra e outras vozes silenciadas

Detalhes bibliográficos
Ano de defesa: 2024
Autor(a) principal: Herculano, Révia Maria Lima
Orientador(a): Pompeu, Ana Maria César
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Não Informado pela instituição
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Área do conhecimento CNPq:
Link de acesso: http://repositorio.ufc.br/handle/riufc/78983
Resumo: The aim of this work is to research the myth of Cassandra, based on the works of Aeschylus and Eurípides, analyzing other female entities who are victims of divine power. We chose for research the works Agamemnon and The Trojan Women, tragedies that reveal the uniqueness of this myth. Cassandra, princess of Ilion, also a priestess of Apollo, despises the attempt at intimacy by the god who, rejected, punishes her with the curse of complex verbal communication, also causing her a confused state of mind, and for this reason she is considered crazy by her family and fellow citizens. The Trojan princess begins to experience trances and hallucinations. In this dissertation, we will address cases in which female entities become victims of their disobedience to the divine, which results in the duty of punishment and blame on the part of the divinity. We will also focus on the disobedience of Pandora, a Greek myth interpreted as a great evil and analogous to the biblical myth of Eve, narrated in Genesis; the nymph Echo silenced by Hera, wife of Zeus, a goddess who, jealous of Echo for hiding the nymphets who were with Zeus in the forest, punished her by making her always repeat the last syllables of the words she heard, preventing the muse from having friendly or romantic relationships. At the same time, a text that surprises us with its originality and that came to our hands at the end of the master's degree: Alexandra (Cassandra) monologue by Lycophron, 285 BC-246 BC, which preserves the oracular voice of the princess. In this guideline, we will define what myth is, also pointing out archetypes that translate the soul of the woman, actualized in images, which according to Jung, inhabit the feminine unconscious, emitting the energy that we certainly inherited biologically.
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spelling Herculano, Révia Maria LimaPompeu, Ana Maria César2024-11-26T13:46:07Z2024-11-26T13:46:07Z2024HERCULANO, Révia Maria Lima. O mito de Cassandra e outras vozes silenciadas. Orientadora: Ana Maria César Pompeu. 2024. 76 f. Dissertação (Mestrado em Letras) - Programa de Pós-Graduação em Letras, Centro de Humanidades, Universidade Federal do Ceará, Fortaleza, 2024.http://repositorio.ufc.br/handle/riufc/78983The aim of this work is to research the myth of Cassandra, based on the works of Aeschylus and Eurípides, analyzing other female entities who are victims of divine power. We chose for research the works Agamemnon and The Trojan Women, tragedies that reveal the uniqueness of this myth. Cassandra, princess of Ilion, also a priestess of Apollo, despises the attempt at intimacy by the god who, rejected, punishes her with the curse of complex verbal communication, also causing her a confused state of mind, and for this reason she is considered crazy by her family and fellow citizens. The Trojan princess begins to experience trances and hallucinations. In this dissertation, we will address cases in which female entities become victims of their disobedience to the divine, which results in the duty of punishment and blame on the part of the divinity. We will also focus on the disobedience of Pandora, a Greek myth interpreted as a great evil and analogous to the biblical myth of Eve, narrated in Genesis; the nymph Echo silenced by Hera, wife of Zeus, a goddess who, jealous of Echo for hiding the nymphets who were with Zeus in the forest, punished her by making her always repeat the last syllables of the words she heard, preventing the muse from having friendly or romantic relationships. At the same time, a text that surprises us with its originality and that came to our hands at the end of the master's degree: Alexandra (Cassandra) monologue by Lycophron, 285 BC-246 BC, which preserves the oracular voice of the princess. In this guideline, we will define what myth is, also pointing out archetypes that translate the soul of the woman, actualized in images, which according to Jung, inhabit the feminine unconscious, emitting the energy that we certainly inherited biologically.Tem este trabalho o objetivo de pesquisar o mito de Cassandra, fundamentado em criações de Ésquilo e de Eurípides, analisando outras entidades femininas vítimas do poder divino. Escolhemos para pesquisa as obras Agamêmnon e As Troianas, tragédias que transparecem a singularidade deste mito. Cassandra, princesa de Ílion, também sacerdotisa de Apolo, despreza a tentativa de intimidades por parte do nume que, rejeitado, pune-a com a maldição de uma* complexa comunicação verbal, causando nela também confuso estado anímico, sendo por isso apontada como louca por familiares e concidadãos. Passa a princesa troiana a experimentar transes, alucinações. Abordaremos, nesta dissertação, casos em que entidades femininas se tornam vítimas de suas desobediências ao divino o que acarreta, por parte da divindade, dever de punir e culpar. Focalizaremos também a desobediência de Pandora, mito grego, interpretado como grande mal e análogo ao mito bíblico de Eva, narrado no Gênesis; a ninfa Eco silenciada por Hera, esposa de Zeus, deusa que, enciumada por ter Eco escondido as ninfetas que estavam com Zeus no bosque, castigou-a fazendo-a repetir sempre as últimas sílabas das palavras que ouve, impedindo a musa de se relacionar amistosa ou amorosamente. Concomitante, um texto que nos surpreende pela originalidade e que chegou à nossa mão no final do mestrado: Alexandra (Cassandra) monólogo de Lícofron, 285a.C-246 a.C, que guarda a voz oracular da princesa. Nessa diretriz, definiremos o que é mito, apontando também arquétipos que traduzam a alma da mulher, atualizada em imagens, que segundo Jung, habitam o inconsciente feminino, emitindo a energia que com certeza herdamos biologicamente.O mito de Cassandra e outras vozes silenciadasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisCassandraAlexandraEsquiloEurípidesTragédiaArquétipoFemininoAeschylusTragedyArchetypeFeminineCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFChttp://lattes.cnpq.br/7688410591910151https://orcid.org/0000-0002-5688-7734http://lattes.cnpq.br/47260928267223262024-11-26LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/78983/2/license.txt8a4605be74aa9ea9d79846c1fba20a33MD52ORIGINAL2024_dis_rmlherculano.pdf2024_dis_rmlherculano.pdfapplication/pdf972544http://repositorio.ufc.br/bitstream/riufc/78983/3/2024_dis_rmlherculano.pdf09fced66d725a9c39327833d06226cf6MD53riufc/789832024-11-26 10:48:34.385oai:repositorio.ufc.br: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Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2024-11-26T13:48:34Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false
dc.title.pt_BR.fl_str_mv O mito de Cassandra e outras vozes silenciadas
title O mito de Cassandra e outras vozes silenciadas
spellingShingle O mito de Cassandra e outras vozes silenciadas
Herculano, Révia Maria Lima
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
Cassandra
Alexandra
Esquilo
Eurípides
Tragédia
Arquétipo
Feminino
Aeschylus
Tragedy
Archetype
Feminine
title_short O mito de Cassandra e outras vozes silenciadas
title_full O mito de Cassandra e outras vozes silenciadas
title_fullStr O mito de Cassandra e outras vozes silenciadas
title_full_unstemmed O mito de Cassandra e outras vozes silenciadas
title_sort O mito de Cassandra e outras vozes silenciadas
author Herculano, Révia Maria Lima
author_facet Herculano, Révia Maria Lima
author_role author
dc.contributor.author.fl_str_mv Herculano, Révia Maria Lima
dc.contributor.advisor1.fl_str_mv Pompeu, Ana Maria César
contributor_str_mv Pompeu, Ana Maria César
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
topic CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
Cassandra
Alexandra
Esquilo
Eurípides
Tragédia
Arquétipo
Feminino
Aeschylus
Tragedy
Archetype
Feminine
dc.subject.ptbr.pt_BR.fl_str_mv Cassandra
Alexandra
Esquilo
Eurípides
Tragédia
Arquétipo
Feminino
dc.subject.en.pt_BR.fl_str_mv Aeschylus
Tragedy
Archetype
Feminine
description The aim of this work is to research the myth of Cassandra, based on the works of Aeschylus and Eurípides, analyzing other female entities who are victims of divine power. We chose for research the works Agamemnon and The Trojan Women, tragedies that reveal the uniqueness of this myth. Cassandra, princess of Ilion, also a priestess of Apollo, despises the attempt at intimacy by the god who, rejected, punishes her with the curse of complex verbal communication, also causing her a confused state of mind, and for this reason she is considered crazy by her family and fellow citizens. The Trojan princess begins to experience trances and hallucinations. In this dissertation, we will address cases in which female entities become victims of their disobedience to the divine, which results in the duty of punishment and blame on the part of the divinity. We will also focus on the disobedience of Pandora, a Greek myth interpreted as a great evil and analogous to the biblical myth of Eve, narrated in Genesis; the nymph Echo silenced by Hera, wife of Zeus, a goddess who, jealous of Echo for hiding the nymphets who were with Zeus in the forest, punished her by making her always repeat the last syllables of the words she heard, preventing the muse from having friendly or romantic relationships. At the same time, a text that surprises us with its originality and that came to our hands at the end of the master's degree: Alexandra (Cassandra) monologue by Lycophron, 285 BC-246 BC, which preserves the oracular voice of the princess. In this guideline, we will define what myth is, also pointing out archetypes that translate the soul of the woman, actualized in images, which according to Jung, inhabit the feminine unconscious, emitting the energy that we certainly inherited biologically.
publishDate 2024
dc.date.accessioned.fl_str_mv 2024-11-26T13:46:07Z
dc.date.available.fl_str_mv 2024-11-26T13:46:07Z
dc.date.issued.fl_str_mv 2024
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dc.identifier.citation.fl_str_mv HERCULANO, Révia Maria Lima. O mito de Cassandra e outras vozes silenciadas. Orientadora: Ana Maria César Pompeu. 2024. 76 f. Dissertação (Mestrado em Letras) - Programa de Pós-Graduação em Letras, Centro de Humanidades, Universidade Federal do Ceará, Fortaleza, 2024.
dc.identifier.uri.fl_str_mv http://repositorio.ufc.br/handle/riufc/78983
identifier_str_mv HERCULANO, Révia Maria Lima. O mito de Cassandra e outras vozes silenciadas. Orientadora: Ana Maria César Pompeu. 2024. 76 f. Dissertação (Mestrado em Letras) - Programa de Pós-Graduação em Letras, Centro de Humanidades, Universidade Federal do Ceará, Fortaleza, 2024.
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