Caminhante brujo: corpos e tecnoviagens do artista-xamã
| Ano de defesa: | 2018 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Não Informado pela instituição
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| Programa de Pós-Graduação: |
Não Informado pela instituição
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| Departamento: |
Não Informado pela instituição
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| País: |
Não Informado pela instituição
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| Palavras-chave em Português: | |
| Link de acesso: | http://www.repositorio.ufc.br/handle/riufc/31307 |
Resumo: | This research maps the emergence of singular corporeities in a hybrid context crossed by experiments in Latin American performing arts and performances, as well as shamanic experiences from central and southern America. Based on selected reports of an eight-year trajectory as a performer-researcher, this research seeks to reflect on the decolonial being-doing and art as deterritorializing action, questioning the dominant paradigms of contemporary ways of living. Taking as the guiding axis of this research, knowledge-obtained-by-experience and practice-as-research, we present a corpus of memories composed of recent logbooks and performances, trying to understand, through an embodied knowledge, the sensitive and intuitive research processes that reveal other possible modes of existence. In this context, we recognize the artist-shaman as the catalyst for research. |
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Murillo, Felipe Andrés GonzálezCaetano, Patricia de Lima2018-04-20T14:51:13Z2018-04-20T14:51:13Z2018MURILLO, Felipe Andrés González. Caminhante brujo: corpos e tecnoviagens do artista-xamã. 2018. 109f. Dissertação (Mestrado) - Universidade Federal do Ceará, Instituto de Cultura e Arte, Programa de Pós-graduação em Artes, Fortaleza (CE), 2018.http://www.repositorio.ufc.br/handle/riufc/31307This research maps the emergence of singular corporeities in a hybrid context crossed by experiments in Latin American performing arts and performances, as well as shamanic experiences from central and southern America. Based on selected reports of an eight-year trajectory as a performer-researcher, this research seeks to reflect on the decolonial being-doing and art as deterritorializing action, questioning the dominant paradigms of contemporary ways of living. Taking as the guiding axis of this research, knowledge-obtained-by-experience and practice-as-research, we present a corpus of memories composed of recent logbooks and performances, trying to understand, through an embodied knowledge, the sensitive and intuitive research processes that reveal other possible modes of existence. In this context, we recognize the artist-shaman as the catalyst for research.Esta pesquisa cartografa a emergência de corporeidades singulares em um contexto híbrido atravessado por experimentações nas artes cênicas e nas performances latino-americanas, como também, por experiências xamânicas provenientes das Américas central e do sul. A partir de relatos escolhidos de uma trajetória de oito anos como performer-pesquisador, esta pesquisa busca refletir acerca do ser-fazer decolonial e da arte como ação desterritorializante, questionando os paradigmas dominantes dos modos de viver na contemporaneidade. Tomando como eixo norteador desta pesquisa, o conhecimento-obtido-pela-experiência e a prática-como-pesquisa, apresentamos um corpus de memórias composto por diários de bordo e performances recentes, procurando compreender, por meio de um conhecimento corporificado, os processos sensíveis e intuitivos de investigação que revelam outros modos possíveis de existência. Neste contexto, reconhecemos o artista-xamã como o catalisador da pesquisa.CorpoPerformance & Practice as researchEstética decolonialArtista-xamãCaminhante brujo: corpos e tecnoviagens do artista-xamãinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCinfo:eu-repo/semantics/openAccessORIGINAL2018_dis_fagmurillo.pdf2018_dis_fagmurillo.pdfapplication/pdf1748968http://repositorio.ufc.br/bitstream/riufc/31307/3/2018_dis_fagmurillo.pdfaed4cb2c308a70eaa089ce7c135dc889MD53LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/31307/4/license.txt8a4605be74aa9ea9d79846c1fba20a33MD54riufc/313072019-05-20 11:57:54.765oai:repositorio.ufc.br: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Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2019-05-20T14:57:54Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false |
| dc.title.pt_BR.fl_str_mv |
Caminhante brujo: corpos e tecnoviagens do artista-xamã |
| title |
Caminhante brujo: corpos e tecnoviagens do artista-xamã |
| spellingShingle |
Caminhante brujo: corpos e tecnoviagens do artista-xamã Murillo, Felipe Andrés González Corpo Performance & Practice as research Estética decolonial Artista-xamã |
| title_short |
Caminhante brujo: corpos e tecnoviagens do artista-xamã |
| title_full |
Caminhante brujo: corpos e tecnoviagens do artista-xamã |
| title_fullStr |
Caminhante brujo: corpos e tecnoviagens do artista-xamã |
| title_full_unstemmed |
Caminhante brujo: corpos e tecnoviagens do artista-xamã |
| title_sort |
Caminhante brujo: corpos e tecnoviagens do artista-xamã |
| author |
Murillo, Felipe Andrés González |
| author_facet |
Murillo, Felipe Andrés González |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Murillo, Felipe Andrés González |
| dc.contributor.advisor1.fl_str_mv |
Caetano, Patricia de Lima |
| contributor_str_mv |
Caetano, Patricia de Lima |
| dc.subject.por.fl_str_mv |
Corpo Performance & Practice as research Estética decolonial Artista-xamã |
| topic |
Corpo Performance & Practice as research Estética decolonial Artista-xamã |
| description |
This research maps the emergence of singular corporeities in a hybrid context crossed by experiments in Latin American performing arts and performances, as well as shamanic experiences from central and southern America. Based on selected reports of an eight-year trajectory as a performer-researcher, this research seeks to reflect on the decolonial being-doing and art as deterritorializing action, questioning the dominant paradigms of contemporary ways of living. Taking as the guiding axis of this research, knowledge-obtained-by-experience and practice-as-research, we present a corpus of memories composed of recent logbooks and performances, trying to understand, through an embodied knowledge, the sensitive and intuitive research processes that reveal other possible modes of existence. In this context, we recognize the artist-shaman as the catalyst for research. |
| publishDate |
2018 |
| dc.date.accessioned.fl_str_mv |
2018-04-20T14:51:13Z |
| dc.date.available.fl_str_mv |
2018-04-20T14:51:13Z |
| dc.date.issued.fl_str_mv |
2018 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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MURILLO, Felipe Andrés González. Caminhante brujo: corpos e tecnoviagens do artista-xamã. 2018. 109f. Dissertação (Mestrado) - Universidade Federal do Ceará, Instituto de Cultura e Arte, Programa de Pós-graduação em Artes, Fortaleza (CE), 2018. |
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http://www.repositorio.ufc.br/handle/riufc/31307 |
| identifier_str_mv |
MURILLO, Felipe Andrés González. Caminhante brujo: corpos e tecnoviagens do artista-xamã. 2018. 109f. Dissertação (Mestrado) - Universidade Federal do Ceará, Instituto de Cultura e Arte, Programa de Pós-graduação em Artes, Fortaleza (CE), 2018. |
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por |
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por |
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