A formação do leitor na filmografia de Walter Salles

Detalhes bibliográficos
Ano de defesa: 2017
Autor(a) principal: Dumont , Luiz Maria lattes
Orientador(a): Furtado , Rita Marcia Magalhães lattes
Banca de defesa: Ribeiro, José Maria Gonçalves da Silva, Real, Márcio Penna Corte, Kunze, Nádia Cuiabano
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
dARK ID: ark:/38995/0013000009fg9
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Educação (FE)
Departamento: Faculdade de Educação - FE (RG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/7715
Resumo: This research focuses on the recognition of the importance and the need for emphasis on form readers of movies that they can find a common thread to understand the universe. The use of cinema as educational practice significantly facilitates the dialogue between curriculum content and the more general knowledge. The analysis of images and tools used by seventh art contribute to the development of critical understanding of the world and new forms of entertainment and thus the formation of the citizen. From the problematization of the cinema as able to transform the spectator into player and bolstered by theoretical supports Rosalia Duarte, Jacques Aumont and Robert Stam, among others, this research seeks to introduce paths for a pedagogical practice involving the film and school. In addition, presents a significant set of discussions and ideas that allow the formation of the reader, from a phenomenological analysis of tree films by Walter Salles, "Foreign Land" (1995), "Central of Brazil" (1998) and "Behind the Sun" (2001), as well as comment from other directors who influenced the field of film studies, art, culture and aesthetics. This dissertation seeks a response of dimensions that this theme, the cinema, has influenced the formation of the reader, search also the expansion of the concept of reading from a cinematic experience where the Viewer is participatory and recognize the language tags and the knowledge gained throughout their schooling. Search still incorporate the art of cinema to the cultural repertoire of the spectator, increasing, so your potential in a critical and reflective stance in life.
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spelling Furtado , Rita Marcia Magalhãeshttp://lattes.cnpq.br/2445364912204332Ribeiro, José Maria Gonçalves da SilvaReal, Márcio Penna CorteKunze, Nádia Cuiabanohttp://lattes.cnpq.br/7006010554437798Dumont , Luiz Maria2017-09-15T13:47:59Z2017-08-21DUMONT, L. M. A formação do leitor na filmografia de Walter Salles. 2017. 124 f. Dissertação (Mestrado em Educação) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/7715ark:/38995/0013000009fg9This research focuses on the recognition of the importance and the need for emphasis on form readers of movies that they can find a common thread to understand the universe. The use of cinema as educational practice significantly facilitates the dialogue between curriculum content and the more general knowledge. The analysis of images and tools used by seventh art contribute to the development of critical understanding of the world and new forms of entertainment and thus the formation of the citizen. From the problematization of the cinema as able to transform the spectator into player and bolstered by theoretical supports Rosalia Duarte, Jacques Aumont and Robert Stam, among others, this research seeks to introduce paths for a pedagogical practice involving the film and school. In addition, presents a significant set of discussions and ideas that allow the formation of the reader, from a phenomenological analysis of tree films by Walter Salles, "Foreign Land" (1995), "Central of Brazil" (1998) and "Behind the Sun" (2001), as well as comment from other directors who influenced the field of film studies, art, culture and aesthetics. This dissertation seeks a response of dimensions that this theme, the cinema, has influenced the formation of the reader, search also the expansion of the concept of reading from a cinematic experience where the Viewer is participatory and recognize the language tags and the knowledge gained throughout their schooling. Search still incorporate the art of cinema to the cultural repertoire of the spectator, increasing, so your potential in a critical and reflective stance in life.Esta dissertação centra-se no reconhecimento da importância, bem como da necessidade de ênfase em formar leitores de filmes que possam encontrar um fio condutor para compreender o universo cinematográfico. O uso do cinema como prática educativa facilita significativamente o diálogo entre os conteúdos curriculares e os conhecimentos mais gerais. A leitura e análise de imagens e de ferramentas utilizadas pela sétima arte contribuem para o desenvolvimento da compreensão crítica do mundo e das novas formas de entretenimento, proporcionando assim a formação do cidadão. A partir da problematização do cinema como capaz de transformar o espectador em leitor e amparado pelos suportes teóricos de Rosália Duarte, Jacques Aumont e Robert Stam, dentre outros, a presente pesquisa procura apresentar caminhos para uma prática pedagógica que envolva o cinema e a escola. Além disso, apresenta um conjunto significativo de discussões e ideias que possibilitem a formação do leitor, a partir de uma análise fenomenológica de três filmes de Walter Salles, “Terra Estrangeira” (1995), “Central do Brasil” (1998) e “Abril Despedaçado” (2001), além de tecer comentários de outros diretores que o influenciaram no campo da filmografia, da arte, da cultura e da estética. Essa dissertação busca uma resposta das dimensões que esse tema, o cinema, tem influenciado a formação do leitor, busca também a ampliação da concepção de leitura a partir de uma experiência cinematográfica em que o espectador seja participativo e reconheça as marcas de linguagem e os conhecimentos adquiridos ao longo da escolaridade. Busca ainda incorporar a arte do cinema ao repertório cultural do espectador, ampliando, assim, sua potencialidade no exercício de uma postura crítica e reflexiva na vida.application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Educação (FE)UFGBrasilFaculdade de Educação - FE (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCinemaEspectadorLeituraPrática pedagógicaWalter SallesCinemaSpectatorReadingPedagogical practiceWalter SallesCIENCIAS HUMANAS::EDUCACAOA formação do leitor na filmografia de Walter SallesThe formation of the reader in the filmography of Walter Sallesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-57835581169077621366006006002113337254376466508-240345818910352367reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/ad687d61-791a-4166-9d19-0dbbf66ad111/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.eng.fl_str_mv A formação do leitor na filmografia de Walter Salles
dc.title.alternative.eng.fl_str_mv The formation of the reader in the filmography of Walter Salles
title A formação do leitor na filmografia de Walter Salles
spellingShingle A formação do leitor na filmografia de Walter Salles
Dumont , Luiz Maria
Cinema
Espectador
Leitura
Prática pedagógica
Walter Salles
Cinema
Spectator
Reading
Pedagogical practice
Walter Salles
CIENCIAS HUMANAS::EDUCACAO
title_short A formação do leitor na filmografia de Walter Salles
title_full A formação do leitor na filmografia de Walter Salles
title_fullStr A formação do leitor na filmografia de Walter Salles
title_full_unstemmed A formação do leitor na filmografia de Walter Salles
title_sort A formação do leitor na filmografia de Walter Salles
author Dumont , Luiz Maria
author_facet Dumont , Luiz Maria
author_role author
dc.contributor.advisor1.fl_str_mv Furtado , Rita Marcia Magalhães
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2445364912204332
dc.contributor.referee1.fl_str_mv Ribeiro, José Maria Gonçalves da Silva
dc.contributor.referee2.fl_str_mv Real, Márcio Penna Corte
dc.contributor.referee3.fl_str_mv Kunze, Nádia Cuiabano
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7006010554437798
dc.contributor.author.fl_str_mv Dumont , Luiz Maria
contributor_str_mv Furtado , Rita Marcia Magalhães
Ribeiro, José Maria Gonçalves da Silva
Real, Márcio Penna Corte
Kunze, Nádia Cuiabano
dc.subject.por.fl_str_mv Cinema
Espectador
Leitura
Prática pedagógica
Walter Salles
topic Cinema
Espectador
Leitura
Prática pedagógica
Walter Salles
Cinema
Spectator
Reading
Pedagogical practice
Walter Salles
CIENCIAS HUMANAS::EDUCACAO
dc.subject.eng.fl_str_mv Cinema
Spectator
Reading
Pedagogical practice
Walter Salles
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::EDUCACAO
description This research focuses on the recognition of the importance and the need for emphasis on form readers of movies that they can find a common thread to understand the universe. The use of cinema as educational practice significantly facilitates the dialogue between curriculum content and the more general knowledge. The analysis of images and tools used by seventh art contribute to the development of critical understanding of the world and new forms of entertainment and thus the formation of the citizen. From the problematization of the cinema as able to transform the spectator into player and bolstered by theoretical supports Rosalia Duarte, Jacques Aumont and Robert Stam, among others, this research seeks to introduce paths for a pedagogical practice involving the film and school. In addition, presents a significant set of discussions and ideas that allow the formation of the reader, from a phenomenological analysis of tree films by Walter Salles, "Foreign Land" (1995), "Central of Brazil" (1998) and "Behind the Sun" (2001), as well as comment from other directors who influenced the field of film studies, art, culture and aesthetics. This dissertation seeks a response of dimensions that this theme, the cinema, has influenced the formation of the reader, search also the expansion of the concept of reading from a cinematic experience where the Viewer is participatory and recognize the language tags and the knowledge gained throughout their schooling. Search still incorporate the art of cinema to the cultural repertoire of the spectator, increasing, so your potential in a critical and reflective stance in life.
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-09-15T13:47:59Z
dc.date.issued.fl_str_mv 2017-08-21
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.citation.fl_str_mv DUMONT, L. M. A formação do leitor na filmografia de Walter Salles. 2017. 124 f. Dissertação (Mestrado em Educação) - Universidade Federal de Goiás, Goiânia, 2017.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/7715
dc.identifier.dark.fl_str_mv ark:/38995/0013000009fg9
identifier_str_mv DUMONT, L. M. A formação do leitor na filmografia de Walter Salles. 2017. 124 f. Dissertação (Mestrado em Educação) - Universidade Federal de Goiás, Goiânia, 2017.
ark:/38995/0013000009fg9
url http://repositorio.bc.ufg.br/tede/handle/tede/7715
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