A formação do leitor na filmografia de Walter Salles
| Ano de defesa: | 2017 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | , , |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| dARK ID: | ark:/38995/0013000009fg9 |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Educação (FE)
|
| Departamento: |
Faculdade de Educação - FE (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/7715 |
Resumo: | This research focuses on the recognition of the importance and the need for emphasis on form readers of movies that they can find a common thread to understand the universe. The use of cinema as educational practice significantly facilitates the dialogue between curriculum content and the more general knowledge. The analysis of images and tools used by seventh art contribute to the development of critical understanding of the world and new forms of entertainment and thus the formation of the citizen. From the problematization of the cinema as able to transform the spectator into player and bolstered by theoretical supports Rosalia Duarte, Jacques Aumont and Robert Stam, among others, this research seeks to introduce paths for a pedagogical practice involving the film and school. In addition, presents a significant set of discussions and ideas that allow the formation of the reader, from a phenomenological analysis of tree films by Walter Salles, "Foreign Land" (1995), "Central of Brazil" (1998) and "Behind the Sun" (2001), as well as comment from other directors who influenced the field of film studies, art, culture and aesthetics. This dissertation seeks a response of dimensions that this theme, the cinema, has influenced the formation of the reader, search also the expansion of the concept of reading from a cinematic experience where the Viewer is participatory and recognize the language tags and the knowledge gained throughout their schooling. Search still incorporate the art of cinema to the cultural repertoire of the spectator, increasing, so your potential in a critical and reflective stance in life. |
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Furtado , Rita Marcia Magalhãeshttp://lattes.cnpq.br/2445364912204332Ribeiro, José Maria Gonçalves da SilvaReal, Márcio Penna CorteKunze, Nádia Cuiabanohttp://lattes.cnpq.br/7006010554437798Dumont , Luiz Maria2017-09-15T13:47:59Z2017-08-21DUMONT, L. M. A formação do leitor na filmografia de Walter Salles. 2017. 124 f. Dissertação (Mestrado em Educação) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/7715ark:/38995/0013000009fg9This research focuses on the recognition of the importance and the need for emphasis on form readers of movies that they can find a common thread to understand the universe. The use of cinema as educational practice significantly facilitates the dialogue between curriculum content and the more general knowledge. The analysis of images and tools used by seventh art contribute to the development of critical understanding of the world and new forms of entertainment and thus the formation of the citizen. From the problematization of the cinema as able to transform the spectator into player and bolstered by theoretical supports Rosalia Duarte, Jacques Aumont and Robert Stam, among others, this research seeks to introduce paths for a pedagogical practice involving the film and school. In addition, presents a significant set of discussions and ideas that allow the formation of the reader, from a phenomenological analysis of tree films by Walter Salles, "Foreign Land" (1995), "Central of Brazil" (1998) and "Behind the Sun" (2001), as well as comment from other directors who influenced the field of film studies, art, culture and aesthetics. This dissertation seeks a response of dimensions that this theme, the cinema, has influenced the formation of the reader, search also the expansion of the concept of reading from a cinematic experience where the Viewer is participatory and recognize the language tags and the knowledge gained throughout their schooling. Search still incorporate the art of cinema to the cultural repertoire of the spectator, increasing, so your potential in a critical and reflective stance in life.Esta dissertação centra-se no reconhecimento da importância, bem como da necessidade de ênfase em formar leitores de filmes que possam encontrar um fio condutor para compreender o universo cinematográfico. O uso do cinema como prática educativa facilita significativamente o diálogo entre os conteúdos curriculares e os conhecimentos mais gerais. A leitura e análise de imagens e de ferramentas utilizadas pela sétima arte contribuem para o desenvolvimento da compreensão crítica do mundo e das novas formas de entretenimento, proporcionando assim a formação do cidadão. A partir da problematização do cinema como capaz de transformar o espectador em leitor e amparado pelos suportes teóricos de Rosália Duarte, Jacques Aumont e Robert Stam, dentre outros, a presente pesquisa procura apresentar caminhos para uma prática pedagógica que envolva o cinema e a escola. Além disso, apresenta um conjunto significativo de discussões e ideias que possibilitem a formação do leitor, a partir de uma análise fenomenológica de três filmes de Walter Salles, “Terra Estrangeira” (1995), “Central do Brasil” (1998) e “Abril Despedaçado” (2001), além de tecer comentários de outros diretores que o influenciaram no campo da filmografia, da arte, da cultura e da estética. Essa dissertação busca uma resposta das dimensões que esse tema, o cinema, tem influenciado a formação do leitor, busca também a ampliação da concepção de leitura a partir de uma experiência cinematográfica em que o espectador seja participativo e reconheça as marcas de linguagem e os conhecimentos adquiridos ao longo da escolaridade. Busca ainda incorporar a arte do cinema ao repertório cultural do espectador, ampliando, assim, sua potencialidade no exercício de uma postura crítica e reflexiva na vida.application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Educação (FE)UFGBrasilFaculdade de Educação - FE (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCinemaEspectadorLeituraPrática pedagógicaWalter SallesCinemaSpectatorReadingPedagogical practiceWalter SallesCIENCIAS HUMANAS::EDUCACAOA formação do leitor na filmografia de Walter SallesThe formation of the reader in the filmography of Walter Sallesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-57835581169077621366006006002113337254376466508-240345818910352367reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/ad687d61-791a-4166-9d19-0dbbf66ad111/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; 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| dc.title.eng.fl_str_mv |
A formação do leitor na filmografia de Walter Salles |
| dc.title.alternative.eng.fl_str_mv |
The formation of the reader in the filmography of Walter Salles |
| title |
A formação do leitor na filmografia de Walter Salles |
| spellingShingle |
A formação do leitor na filmografia de Walter Salles Dumont , Luiz Maria Cinema Espectador Leitura Prática pedagógica Walter Salles Cinema Spectator Reading Pedagogical practice Walter Salles CIENCIAS HUMANAS::EDUCACAO |
| title_short |
A formação do leitor na filmografia de Walter Salles |
| title_full |
A formação do leitor na filmografia de Walter Salles |
| title_fullStr |
A formação do leitor na filmografia de Walter Salles |
| title_full_unstemmed |
A formação do leitor na filmografia de Walter Salles |
| title_sort |
A formação do leitor na filmografia de Walter Salles |
| author |
Dumont , Luiz Maria |
| author_facet |
Dumont , Luiz Maria |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Furtado , Rita Marcia Magalhães |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2445364912204332 |
| dc.contributor.referee1.fl_str_mv |
Ribeiro, José Maria Gonçalves da Silva |
| dc.contributor.referee2.fl_str_mv |
Real, Márcio Penna Corte |
| dc.contributor.referee3.fl_str_mv |
Kunze, Nádia Cuiabano |
| dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7006010554437798 |
| dc.contributor.author.fl_str_mv |
Dumont , Luiz Maria |
| contributor_str_mv |
Furtado , Rita Marcia Magalhães Ribeiro, José Maria Gonçalves da Silva Real, Márcio Penna Corte Kunze, Nádia Cuiabano |
| dc.subject.por.fl_str_mv |
Cinema Espectador Leitura Prática pedagógica Walter Salles |
| topic |
Cinema Espectador Leitura Prática pedagógica Walter Salles Cinema Spectator Reading Pedagogical practice Walter Salles CIENCIAS HUMANAS::EDUCACAO |
| dc.subject.eng.fl_str_mv |
Cinema Spectator Reading Pedagogical practice Walter Salles |
| dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::EDUCACAO |
| description |
This research focuses on the recognition of the importance and the need for emphasis on form readers of movies that they can find a common thread to understand the universe. The use of cinema as educational practice significantly facilitates the dialogue between curriculum content and the more general knowledge. The analysis of images and tools used by seventh art contribute to the development of critical understanding of the world and new forms of entertainment and thus the formation of the citizen. From the problematization of the cinema as able to transform the spectator into player and bolstered by theoretical supports Rosalia Duarte, Jacques Aumont and Robert Stam, among others, this research seeks to introduce paths for a pedagogical practice involving the film and school. In addition, presents a significant set of discussions and ideas that allow the formation of the reader, from a phenomenological analysis of tree films by Walter Salles, "Foreign Land" (1995), "Central of Brazil" (1998) and "Behind the Sun" (2001), as well as comment from other directors who influenced the field of film studies, art, culture and aesthetics. This dissertation seeks a response of dimensions that this theme, the cinema, has influenced the formation of the reader, search also the expansion of the concept of reading from a cinematic experience where the Viewer is participatory and recognize the language tags and the knowledge gained throughout their schooling. Search still incorporate the art of cinema to the cultural repertoire of the spectator, increasing, so your potential in a critical and reflective stance in life. |
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2017 |
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2017-09-15T13:47:59Z |
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2017-08-21 |
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DUMONT, L. M. A formação do leitor na filmografia de Walter Salles. 2017. 124 f. Dissertação (Mestrado em Educação) - Universidade Federal de Goiás, Goiânia, 2017. |
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DUMONT, L. M. A formação do leitor na filmografia de Walter Salles. 2017. 124 f. Dissertação (Mestrado em Educação) - Universidade Federal de Goiás, Goiânia, 2017. ark:/38995/0013000009fg9 |
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