Nausicaä atravessa o Pacífico: adaptação e internacionalização de Nausicaä do Vale dos Ventos, de Hayao Miyazaki

• Ano de defesa: 2021
• Autor(a) principal: Figueiredo, Tomaz Castrillon de
• Orientador(a): Campos, Raquel Machado Gonçalves
• Banca de defesa: Campos, Raquel Machado Gonçalves, Carvalho, Diego Avelino de Moraes, Gomes, Ivan Lima
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em História (FH)
• Departamento: Faculdade de História - FH (RG)
• País: Brasil
• Palavras-chave em Português: Manga; Anime; História dos impressos; Mercado transnacional; Japão
• Palavras-chave em Inglês: Manga; Anime; History of printing; Transnational Market; Japan
• Área do conhecimento CNPq: CIENCIAS HUMANAS::HISTORIA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/11191

alley of the Wind’s trajectory in its adaptation to the animation cinema as well as to the American market as a whole, centered in a paratextual analysis – both in cinema and in the comics, and later on the concept of manga. Therefore I present Studio Ghibli’s development and Miyazaki’s (it’s biggest name) development from their origins in the profound debate around animation in which the corporation Miyazaki was trained (TOEI) is inserted. Furthermore, I present de debate around the concept of “animation” and Osamu Tezuka’s “anime” as well as the tensions in the field for a concept of “manga”, between a modernizing and a tradition maintaining logic. To Follow this work is to follow not only the birth of one of the most famous animation studios from the turn of the century, but also de deep context of Japanese animation and comics in the middle of the globalization process and the strong expansion of Japanese cultural goods and subsequent developments from the 1980’s ahead.