Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016)
| Ano de defesa: | 2019 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | , , , , |
| Tipo de documento: | Tese |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
|
| Departamento: |
Faculdade de Artes Visuais - FAV (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/9815 |
Resumo: | This work aimed to investigate the body and swimsuit images in Brazilian female Olympic swimming between 1932 and 2016. To do so, we analyzed the construction of social images of the female body in sport in general and then specifically in swimming (scenario as well as the representation of these social images in the visual images, which in this thesis in question were the photographs. The photographs in turn were analyzed through the proposal of Goffman (1979) and Pruitt (2013). The swimsuits were studied considering the social context in which they were made, as well as their technical description. Brazilian female swimming was divided into five periods: glamor era (1932-1952); era of scientism (1972-1976); the beginnings of professionalism (1988-1996); technological age (2000-2009); and posttechnological era (2010- to the present day). Interviews were conducted with swimmers Maria Isabel Guerra, Flávia Nadalutti, Adriana Salazar and Fabíola Molina, as well as some photographs of their personal archive and photographs available in the media. We also analyzed photographs of swimmers Maria Lenk, Piedade Coutinho, Patrícia Amorim, Rebeca Gusmão and Etiene Medeiros. After that, the images of swimmers published in Veja magazine between 1968 and 2016 were investigated. The results showed that in the national scenario, doping and sexual harassment issues were more prominent than performance |
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Andrade, Rita Morais dehttp://lattes.cnpq.br/065217546909301Andrade, Rita Morais deBadan, Rosane CostaJesus, Samuel José Gilbert deSant`Anna, Thiago FernandoGomes, Susana Helena Avelarhttp:Lattes.cnpq.br/8451657602167622Campos, Rosângela Soares2019-07-11T12:23:43Z2019-05-27CAMPOS, R. S. Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016). 2019. 231 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/9815This work aimed to investigate the body and swimsuit images in Brazilian female Olympic swimming between 1932 and 2016. To do so, we analyzed the construction of social images of the female body in sport in general and then specifically in swimming (scenario as well as the representation of these social images in the visual images, which in this thesis in question were the photographs. The photographs in turn were analyzed through the proposal of Goffman (1979) and Pruitt (2013). The swimsuits were studied considering the social context in which they were made, as well as their technical description. Brazilian female swimming was divided into five periods: glamor era (1932-1952); era of scientism (1972-1976); the beginnings of professionalism (1988-1996); technological age (2000-2009); and posttechnological era (2010- to the present day). Interviews were conducted with swimmers Maria Isabel Guerra, Flávia Nadalutti, Adriana Salazar and Fabíola Molina, as well as some photographs of their personal archive and photographs available in the media. We also analyzed photographs of swimmers Maria Lenk, Piedade Coutinho, Patrícia Amorim, Rebeca Gusmão and Etiene Medeiros. After that, the images of swimmers published in Veja magazine between 1968 and 2016 were investigated. The results showed that in the national scenario, doping and sexual harassment issues were more prominent than performanceEste trabalho teve como proposta investigar as imagens do corpo e dos maiôs na natação olímpica feminina brasileira entre 1932 e 2016. Para tanto, foi analisada a construção das imagens sociais do corpo feminino no esporte em geral e, em seguida, especificamente na natação (cenário nacional e internacional), assim como, foi analisada a representação dessas imagens sociais nas imagens visuais, que nessa tese em questão eram as fotografias. As fotografias por sua vez foram analisadas por meio da proposta de Goffman (1979) e Pruitt (2013). Os maiôs foram estudados considerando-se o contexto social no qual foram elaborados, assim como sua descrição técnica. A natação feminina brasileira foi dividida em cinco períodos: era do glamour (1932- 1952); era do cientificismo (1972-1976); primórdios do profissionalismo (1988-1996); era tecnológica (2000-2009); e era pós-tecnológica (2010-até os dias atuais). Foram realizadas entrevistas com as nadadoras Maria Isabel Guerra, Flávia Nadalutti, Adriana Salazar e Fabíola Molina, assim como foram analisadas algumas fotografias do arquivo pessoal dessas nadadoras e de fotografias disponíveis na mídia. Foram analisadas também fotografias das nadadoras Maria Lenk, Piedade Coutinho, Patrícia Amorim, Rebeca Gusmão e Etiene Medeiros. Após foram investigadas as imagens das nadadoras veiculadas na Revista Veja entre os anos de 1968 e 2016. Os resultados evidenciaram que no cenário nacional houve maior destaque a questões relacionadas ao doping e ao assédio sexual do que à performance.Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEGapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Arte e Cultura Visual (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessImagens de violênciaCorpoMaiôsNatação femininaBodySwimsuitsWomen's swimmingImagesLINGUISTICA, LETRAS E ARTES::ARTESUm mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016)A dive in the images of the body and swimsuits in brazilian female olympic swimming (1932-2016)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis5419363139851951878600600600600-58490961587463690968435846416789276096-961409807440757778reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/2c99faca-2587-4aca-a5bc-bb1cedd5e644/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.bc.ufg.br/tede/bitstreams/5930fe37-dcd4-43d8-aa8a-d4b2772ad692/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/aefe7a37-d9bd-4b6d-bf5f-2036306e03ac/downloadd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/7a459ff0-ed3a-4d3e-a141-8b3907bcb56d/downloadd41d8cd98f00b204e9800998ecf8427eMD54ORIGINALTese - Rosângela Soares Campos - 2019.pdfTese - Rosângela Soares Campos - 2019.pdfapplication/pdf7021121http://repositorio.bc.ufg.br/tede/bitstreams/fca7f8bb-71ae-463f-903b-095aafcccc66/downloadea41e4fce732db32311a4c782c7d19e5MD55tede/98152020-01-20 08:39:49.239http://creativecommons.org/licenses/by-nc-nd/4.0/Acesso Abertoopen.accessoai:repositorio.bc.ufg.br:tede/9815http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttps://repositorio.bc.ufg.br/tedeserver/oai/requestgrt.bc@ufg.bropendoar:oai:repositorio.bc.ufg.br:tede/12342020-01-20T11:39:49Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
| dc.title.eng.fl_str_mv |
Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016) |
| dc.title.alternative.eng.fl_str_mv |
A dive in the images of the body and swimsuits in brazilian female olympic swimming (1932-2016) |
| title |
Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016) |
| spellingShingle |
Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016) Campos, Rosângela Soares Imagens de violência Corpo Maiôs Natação feminina Body Swimsuits Women's swimming Images LINGUISTICA, LETRAS E ARTES::ARTES |
| title_short |
Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016) |
| title_full |
Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016) |
| title_fullStr |
Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016) |
| title_full_unstemmed |
Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016) |
| title_sort |
Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016) |
| author |
Campos, Rosângela Soares |
| author_facet |
Campos, Rosângela Soares |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Andrade, Rita Morais de |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/065217546909301 |
| dc.contributor.referee1.fl_str_mv |
Andrade, Rita Morais de |
| dc.contributor.referee2.fl_str_mv |
Badan, Rosane Costa |
| dc.contributor.referee3.fl_str_mv |
Jesus, Samuel José Gilbert de |
| dc.contributor.referee4.fl_str_mv |
Sant`Anna, Thiago Fernando |
| dc.contributor.referee5.fl_str_mv |
Gomes, Susana Helena Avelar |
| dc.contributor.authorLattes.fl_str_mv |
http:Lattes.cnpq.br/8451657602167622 |
| dc.contributor.author.fl_str_mv |
Campos, Rosângela Soares |
| contributor_str_mv |
Andrade, Rita Morais de Andrade, Rita Morais de Badan, Rosane Costa Jesus, Samuel José Gilbert de Sant`Anna, Thiago Fernando Gomes, Susana Helena Avelar |
| dc.subject.por.fl_str_mv |
Imagens de violência Corpo Maiôs Natação feminina |
| topic |
Imagens de violência Corpo Maiôs Natação feminina Body Swimsuits Women's swimming Images LINGUISTICA, LETRAS E ARTES::ARTES |
| dc.subject.eng.fl_str_mv |
Body Swimsuits Women's swimming Images |
| dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES |
| description |
This work aimed to investigate the body and swimsuit images in Brazilian female Olympic swimming between 1932 and 2016. To do so, we analyzed the construction of social images of the female body in sport in general and then specifically in swimming (scenario as well as the representation of these social images in the visual images, which in this thesis in question were the photographs. The photographs in turn were analyzed through the proposal of Goffman (1979) and Pruitt (2013). The swimsuits were studied considering the social context in which they were made, as well as their technical description. Brazilian female swimming was divided into five periods: glamor era (1932-1952); era of scientism (1972-1976); the beginnings of professionalism (1988-1996); technological age (2000-2009); and posttechnological era (2010- to the present day). Interviews were conducted with swimmers Maria Isabel Guerra, Flávia Nadalutti, Adriana Salazar and Fabíola Molina, as well as some photographs of their personal archive and photographs available in the media. We also analyzed photographs of swimmers Maria Lenk, Piedade Coutinho, Patrícia Amorim, Rebeca Gusmão and Etiene Medeiros. After that, the images of swimmers published in Veja magazine between 1968 and 2016 were investigated. The results showed that in the national scenario, doping and sexual harassment issues were more prominent than performance |
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2019 |
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2019-07-11T12:23:43Z |
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2019-05-27 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/doctoralThesis |
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publishedVersion |
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CAMPOS, R. S. Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016). 2019. 231 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2019. |
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http://repositorio.bc.ufg.br/tede/handle/tede/9815 |
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CAMPOS, R. S. Um mergulho nas imagens do corpo e dos maiôs na natação olímpica feminina brasileira (1932-2016). 2019. 231 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2019. |
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