V for vendetta: um diálogo entre quadrinhos e cinema
| Ano de defesa: | 2016 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal da Paraíba
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
|
| Departamento: |
Letras
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | https://repositorio.ufpb.br/jspui/handle/tede/8529 |
Resumo: | This master dissertation aims at elaborating a comparative analysis of the two versions of V for Vendetta (comics and cinema), focusing on the form and strategies of narrative composition used by the authors of the graphic novel, Alan Moore and David Lloyd; and also considering how this narrative has been recomposed into another medium by director James McTeigue in his 2006 film adaptation. To reach this objective we first analyze how some of Alan Moore’s novels have been transposed to the cinema since the beginning of this century, in an attempt to localize the present object of study between the adapted texts and the adaptations. Secondly, we employ theoretical principles by Linda Hutcheon (2011) and Robert Stam (2000, 2008), who define adaptation mainly in terms of transposition from other media (as comics and literature) into the cinema. Finally, we describe how the printed version used some resources of comics (images and words) to compose the narrative of V for Vendetta (1988-1989), and how the homonymous film by James McTeigue (2006) recreates similar aesthetics effects, while also being |
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2016-08-15T13:32:15Z2018-07-21T00:17:02Z2018-07-21T00:17:02Z2016-04-18OLIVEIRA, Cássio de Cerqueira. V for vendetta: um diálogo entre quadrinhos e cinema. 2016. 161 f. Dissertação (Mestrado em Letras) - Universidade Federal da Paraíba, João Pessoa, 2016.https://repositorio.ufpb.br/jspui/handle/tede/8529This master dissertation aims at elaborating a comparative analysis of the two versions of V for Vendetta (comics and cinema), focusing on the form and strategies of narrative composition used by the authors of the graphic novel, Alan Moore and David Lloyd; and also considering how this narrative has been recomposed into another medium by director James McTeigue in his 2006 film adaptation. To reach this objective we first analyze how some of Alan Moore’s novels have been transposed to the cinema since the beginning of this century, in an attempt to localize the present object of study between the adapted texts and the adaptations. Secondly, we employ theoretical principles by Linda Hutcheon (2011) and Robert Stam (2000, 2008), who define adaptation mainly in terms of transposition from other media (as comics and literature) into the cinema. Finally, we describe how the printed version used some resources of comics (images and words) to compose the narrative of V for Vendetta (1988-1989), and how the homonymous film by James McTeigue (2006) recreates similar aesthetics effects, while also beingEsta dissertação de mestrado visa fazer uma análise comparativa das duas versões de V for Vendetta (quadrinhos e cinema), dando enfoque à forma e às estratégias de composição narrativa utilizadas pelos autores do romance gráfico, Alan Moore e David Lloyd; e, às estratégias de reestruturação desta narrativa em outra mídia, usadas por James McTeigue na adaptação para o cinema, em 2006. Para alcançar tal objetivo, primeiramente analisamos como alguns romances gráficos de Alan Moore têm sido transpostos para o cinema desde o início deste século, visando posicionar, dentre os textos adaptados e as adaptações, o objeto de estudo deste trabalho. Em um segundo momento, fizemos uso de teorias discutidas por autores como Linda Hutcheon (2011) e Robert Stam (2000, 2008), que trabalham com os conceitos de adaptação, principalmente no que diz respeito à transposição de outras mídias (literatura, quadrinhos, etc) para o cinema, como aporte teórico para embasar esta pesquisa. Por fim, descrevemos como a versão impressa utiliza os recursos dos quadrinhos (imagens e palavras) para compor a narrativa de V for Vendetta (1988-1989), e como o filme homônimo de James McTeigue (2006) recria efeitos estéticos semelhantes, ao mesmo tempo em que é influenciado pela especificidade midiática e pela tradição hollywoodiana da qual o filme faz parte.Submitted by Maike Costa (maiksebas@gmail.com) on 2016-08-15T13:32:15Z No. of bitstreams: 1 arquivo total.pdf: 5553857 bytes, checksum: eddf1c2b07f342ed63d4d08962d89796 (MD5)Made available in DSpace on 2016-08-15T13:32:15Z (GMT). No. of bitstreams: 1 arquivo total.pdf: 5553857 bytes, checksum: eddf1c2b07f342ed63d4d08962d89796 (MD5) Previous issue date: 2016-04-18Made available in DSpace on 2018-07-21T00:17:02Z (GMT). No. of bitstreams: 2 arquivo total.pdf: 5553857 bytes, checksum: eddf1c2b07f342ed63d4d08962d89796 (MD5) arquivo total.pdf.jpg: 2222 bytes, checksum: 0dc2542e5ddb7560c6642849bc71bdd3 (MD5) Previous issue date: 2016-04-18Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal da ParaíbaPrograma de Pós-Graduação em LetrasUFPBBrasilLetrasV for VendettaAdaptaçãoQuadrinhosComicsAdaptationLINGUISTICA, LETRAS E ARTES::LETRASV for vendetta: um diálogo entre quadrinhos e cinemainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisAzerêdo, Genildahttp://lattes.cnpq.br/233628729961336404218385580http://lattes.cnpq.br/9333125014109377Oliveira, Cássio de Cerqueirahttp://tede.biblioteca.ufpb.br:8080/retrieve/17532/arquivo%20total.pdf.jpginfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPBTEXTarquivo total.pdf.txtarquivo total.pdf.txtExtracted texttext/plain398367https://repositorio.ufpb.br/jspui/bitstream/tede/8529/5/arquivo%20total.pdf.txt969956e2d13a366ff9679d581c4aa7caMD55THUMBNAILarquivo total.pdf.jpgarquivo total.pdf.jpgIM Thumbnailimage/jpeg3446https://repositorio.ufpb.br/jspui/bitstream/tede/8529/6/arquivo%20total.pdf.jpg374e9675abcefd742c00384fd7dfd7feMD56ORIGINALarquivo total.pdfarquivo total.pdfapplication/pdf5553857https://repositorio.ufpb.br/jspui/bitstream/tede/8529/2/arquivo%20total.pdfeddf1c2b07f342ed63d4d08962d89796MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81892https://repositorio.ufpb.br/jspui/bitstream/tede/8529/1/license.txt8c8cacc7fa454d1f71e17b728b8bcecdMD51license.txtlicense.txttext/plain; charset=utf-81867https://repositorio.ufpb.br/jspui/bitstream/tede/8529/4/license.txt07956d2f9f6879bad6c75289be248398MD54tede/85292018-09-05 22:39:17.81oai:repositorio.ufpb.br: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Repositório InstitucionalPUBhttps://repositorio.ufpb.br/oai/requestdiretoria@ufpb.br||bdtd@biblioteca.ufpb.bropendoar:25462018-09-06T01:39:17Repositório Institucional da UFPB - Universidade Federal da Paraíba (UFPB)false |
| dc.title.por.fl_str_mv |
V for vendetta: um diálogo entre quadrinhos e cinema |
| title |
V for vendetta: um diálogo entre quadrinhos e cinema |
| spellingShingle |
V for vendetta: um diálogo entre quadrinhos e cinema Oliveira, Cássio de Cerqueira V for Vendetta Adaptação Quadrinhos Comics Adaptation LINGUISTICA, LETRAS E ARTES::LETRAS |
| title_short |
V for vendetta: um diálogo entre quadrinhos e cinema |
| title_full |
V for vendetta: um diálogo entre quadrinhos e cinema |
| title_fullStr |
V for vendetta: um diálogo entre quadrinhos e cinema |
| title_full_unstemmed |
V for vendetta: um diálogo entre quadrinhos e cinema |
| title_sort |
V for vendetta: um diálogo entre quadrinhos e cinema |
| author |
Oliveira, Cássio de Cerqueira |
| author_facet |
Oliveira, Cássio de Cerqueira |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Azerêdo, Genilda |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2336287299613364 |
| dc.contributor.authorID.fl_str_mv |
04218385580 |
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http://lattes.cnpq.br/9333125014109377 |
| dc.contributor.author.fl_str_mv |
Oliveira, Cássio de Cerqueira |
| contributor_str_mv |
Azerêdo, Genilda |
| dc.subject.por.fl_str_mv |
V for Vendetta Adaptação Quadrinhos Comics |
| topic |
V for Vendetta Adaptação Quadrinhos Comics Adaptation LINGUISTICA, LETRAS E ARTES::LETRAS |
| dc.subject.eng.fl_str_mv |
Adaptation |
| dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
| description |
This master dissertation aims at elaborating a comparative analysis of the two versions of V for Vendetta (comics and cinema), focusing on the form and strategies of narrative composition used by the authors of the graphic novel, Alan Moore and David Lloyd; and also considering how this narrative has been recomposed into another medium by director James McTeigue in his 2006 film adaptation. To reach this objective we first analyze how some of Alan Moore’s novels have been transposed to the cinema since the beginning of this century, in an attempt to localize the present object of study between the adapted texts and the adaptations. Secondly, we employ theoretical principles by Linda Hutcheon (2011) and Robert Stam (2000, 2008), who define adaptation mainly in terms of transposition from other media (as comics and literature) into the cinema. Finally, we describe how the printed version used some resources of comics (images and words) to compose the narrative of V for Vendetta (1988-1989), and how the homonymous film by James McTeigue (2006) recreates similar aesthetics effects, while also being |
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2016 |
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2016-08-15T13:32:15Z 2018-07-21T00:17:02Z |
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2016-04-18 |
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2018-07-21T00:17:02Z |
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OLIVEIRA, Cássio de Cerqueira. V for vendetta: um diálogo entre quadrinhos e cinema. 2016. 161 f. Dissertação (Mestrado em Letras) - Universidade Federal da Paraíba, João Pessoa, 2016. |
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https://repositorio.ufpb.br/jspui/handle/tede/8529 |
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OLIVEIRA, Cássio de Cerqueira. V for vendetta: um diálogo entre quadrinhos e cinema. 2016. 161 f. Dissertação (Mestrado em Letras) - Universidade Federal da Paraíba, João Pessoa, 2016. |
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