Rush Cover (PB): tecnologia MIDI e performance

Detalhes bibliográficos
Ano de defesa: 2020
Autor(a) principal: Melo Júnior, José Andrade de
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal da Paraíba
Brasil
Música
Programa de Pós-Graduação em Música
UFPB
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/20268
Resumo: The present work is located in the niche of ethnomusicological studies on urban popular music. This study is in line with several academic works carried out in recent years in Brazil on the rock genre (ALENCAR, 2015; RIBEIRO, 2010; TROTTA, 2005). The work deals specifically with the performance of the cover band Rush Cover (PB) from Paraíba. The focus is on the musical performance itself, aiming to understand and record the processes used to incorporate MIDI technology in the band's performance. For this purpose, an interactionist research was conducted, through the ethnography of essays and some presentations made by the band. Through these observations, interviews and conversations, I became aware of the way in which the Paraiba trio introduced such technological resources in their performance, approaching the way in which this music is truly performed by the Canadian band. Further studies on the formation of Cover bands can bring to light important clarifications on the formation of the identity of the musicians and the musical scenes in which they are inserted, as well as bring important data on the early learning processes of rock musicians. World-famous bands often started playing Covers (as is the case with Rush) and many artists start to perform works of this nature, with the intention of paying tribute to their favorite artists and keeping a certain repertoire alive through performance (ZUMTHOR, 2002) and not just through records or videos collectible by fans.
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spelling Rush Cover (PB): tecnologia MIDI e performanceEtnomusicologiaRockCulturaMIDIBandas CoverEthnomusicologyCultureCover bandsCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICAThe present work is located in the niche of ethnomusicological studies on urban popular music. This study is in line with several academic works carried out in recent years in Brazil on the rock genre (ALENCAR, 2015; RIBEIRO, 2010; TROTTA, 2005). The work deals specifically with the performance of the cover band Rush Cover (PB) from Paraíba. The focus is on the musical performance itself, aiming to understand and record the processes used to incorporate MIDI technology in the band's performance. For this purpose, an interactionist research was conducted, through the ethnography of essays and some presentations made by the band. Through these observations, interviews and conversations, I became aware of the way in which the Paraiba trio introduced such technological resources in their performance, approaching the way in which this music is truly performed by the Canadian band. Further studies on the formation of Cover bands can bring to light important clarifications on the formation of the identity of the musicians and the musical scenes in which they are inserted, as well as bring important data on the early learning processes of rock musicians. World-famous bands often started playing Covers (as is the case with Rush) and many artists start to perform works of this nature, with the intention of paying tribute to their favorite artists and keeping a certain repertoire alive through performance (ZUMTHOR, 2002) and not just through records or videos collectible by fans.NenhumaO presente trabalho encontra-se situado no nicho dos estudos etnomusicológicos sobre a música popular urbana. Esse estudo se alinha a diversos trabalhos acadêmicos realizados nos últimos anos no Brasil sobre o gênero rock (ALENCAR, 2015; RIBEIRO, 2010; TROTTA, 2005). Trato aqui especificamente sobre a performance da banda cover paraibana Rush Cover ((PB)). O enfoque está na performance musical em si, objetivando compreender e registrar os processos utilizados para a incorporação da tecnologia MIDI na performance da banda. Para tal propósito, foi realizada uma pesquisa interacionista, através da etnografia de ensaios e algumas apresentações feitas pela banda. Por meio dessas observações, entrevistas e conversas tomou-se conhecimento da forma como o trio paraibano introduziu em sua performance tais recursos tecnológicos, aproximando-se de fato da forma como essa música é realmente executada pela banda canadense. Mais estudos sobre a formação de bandas Cover podem trazer à luz esclarecimentos importantes sobre a formação da identidade dos músicos e das cenas musicais nas quais estão inseridos, como também trazer dados importantes sobre os processos iniciais de aprendizagem dos músicos de rock. Bandas de fama mundial muitas vezes começaram tocando Covers (como é o caso do Rush) e muitos artistas passam a realizar trabalhos de tal natureza, com o intuito de prestar tributo a seus artistas favoritos e manter, assim vivo, um determinado repertório por meio da performance (ZUMTHOR, 2002) e não apenas por meio de discos ou vídeos colecionáveis pelos fãs.Universidade Federal da ParaíbaBrasilMúsicaPrograma de Pós-Graduação em MúsicaUFPBSatomi, Alice Lumihttp://lattes.cnpq.br/2073986486219986Melo Júnior, José Andrade de2021-06-30T19:04:30Z2020-10-262021-06-30T19:04:30Z2020-07-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttps://repositorio.ufpb.br/jspui/handle/123456789/20268porhttp://creativecommons.org/licenses/by-nd/3.0/br/info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2022-08-10T11:45:47Zoai:repositorio.ufpb.br:123456789/20268Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2022-08-10T11:45:47Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false
dc.title.none.fl_str_mv Rush Cover (PB): tecnologia MIDI e performance
title Rush Cover (PB): tecnologia MIDI e performance
spellingShingle Rush Cover (PB): tecnologia MIDI e performance
Melo Júnior, José Andrade de
Etnomusicologia
Rock
Cultura
MIDI
Bandas Cover
Ethnomusicology
Culture
Cover bands
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
title_short Rush Cover (PB): tecnologia MIDI e performance
title_full Rush Cover (PB): tecnologia MIDI e performance
title_fullStr Rush Cover (PB): tecnologia MIDI e performance
title_full_unstemmed Rush Cover (PB): tecnologia MIDI e performance
title_sort Rush Cover (PB): tecnologia MIDI e performance
author Melo Júnior, José Andrade de
author_facet Melo Júnior, José Andrade de
author_role author
dc.contributor.none.fl_str_mv Satomi, Alice Lumi
http://lattes.cnpq.br/2073986486219986
dc.contributor.author.fl_str_mv Melo Júnior, José Andrade de
dc.subject.por.fl_str_mv Etnomusicologia
Rock
Cultura
MIDI
Bandas Cover
Ethnomusicology
Culture
Cover bands
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
topic Etnomusicologia
Rock
Cultura
MIDI
Bandas Cover
Ethnomusicology
Culture
Cover bands
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
description The present work is located in the niche of ethnomusicological studies on urban popular music. This study is in line with several academic works carried out in recent years in Brazil on the rock genre (ALENCAR, 2015; RIBEIRO, 2010; TROTTA, 2005). The work deals specifically with the performance of the cover band Rush Cover (PB) from Paraíba. The focus is on the musical performance itself, aiming to understand and record the processes used to incorporate MIDI technology in the band's performance. For this purpose, an interactionist research was conducted, through the ethnography of essays and some presentations made by the band. Through these observations, interviews and conversations, I became aware of the way in which the Paraiba trio introduced such technological resources in their performance, approaching the way in which this music is truly performed by the Canadian band. Further studies on the formation of Cover bands can bring to light important clarifications on the formation of the identity of the musicians and the musical scenes in which they are inserted, as well as bring important data on the early learning processes of rock musicians. World-famous bands often started playing Covers (as is the case with Rush) and many artists start to perform works of this nature, with the intention of paying tribute to their favorite artists and keeping a certain repertoire alive through performance (ZUMTHOR, 2002) and not just through records or videos collectible by fans.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-26
2020-07-23
2021-06-30T19:04:30Z
2021-06-30T19:04:30Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://repositorio.ufpb.br/jspui/handle/123456789/20268
url https://repositorio.ufpb.br/jspui/handle/123456789/20268
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nd/3.0/br/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nd/3.0/br/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Música
Programa de Pós-Graduação em Música
UFPB
publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Música
Programa de Pós-Graduação em Música
UFPB
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFPB
instname:Universidade Federal da Paraíba (UFPB)
instacron:UFPB
instname_str Universidade Federal da Paraíba (UFPB)
instacron_str UFPB
institution UFPB
reponame_str Biblioteca Digital de Teses e Dissertações da UFPB
collection Biblioteca Digital de Teses e Dissertações da UFPB
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)
repository.mail.fl_str_mv diretoria@ufpb.br|| diretoria@ufpb.br
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