Distinção em 140 caracteres: classe social, telenovela e twitter

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Depexe, Sandra Dalcul lattes
Orientador(a): Ronsini, Veneza Mayora lattes
Banca de defesa: Almeida, Heloisa Buarque de lattes, Brignol, Liliane Dutra lattes, Pieniz, Monica lattes, Silveira, Verli Fátima Petri da lattes
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Santa Maria
Programa de Pós-Graduação: Programa de Pós-Graduação em Comunicação
Departamento: Comunicação
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.ufsm.br/handle/1/3432
Resumo: This thesis has the overall goal of exploring the circulation and consumption of the telenovela Salve Jorge (Rede Globo, 2012/2013) on Twitter to understand the phenomenon of TVInternet simultaneous consumption and the functioning of the word periguete in communication and class distinction. The specific objectives include: a) examine the real conditions, on Twitter, in which they develop the circulation and consumption practices in the context of media convergence; b) identify in the circulation of Salve Jorge the multiple forms of interactivity and participation of the subjects; c) understand how the social classes shapes the way-subject periguete , from the empirical indicators like as clothing, personal relationships and the way of life of the characters of Salve Jorge read as part of the circulation and consumption based on comments on Twitter. Therefore, we articulate the Pêcheux s speech analysis, Bourdieu s sociology and Latin American reception/consumption studies. We used methods and techniques coming from Social Network Analysis (SNA) and social media monitoring and operationalized through computer assisted qualitative analysis (CAQDAS - Computer Aided Qualitative Data Analisys Softwares). In our concerns stand out the speeches - from the telenovela and from the audience - that differentiate the female characters according to the social class they represent. To perform the analysis, we selected three trajectories of characters from Salve Jorge and seek them to describe how the tweets were constructed, indicating the evidences that pointed us to the forms-subjects that determine women as periguete . Disconnected from marriage and motherhood, these characters are fleeing from an traditional woman construction and approache of contemporary female models. As a result, form-subject periguete functions as a subject position, whose senses are dynamic, but refer to women s freedom with her body, like in the way they dresses and make beauty treatments, either in the exercise of their sexuality. The dynamic of these senses is for judgment/acceptance of popular class women and reproof/freedom of upper classes women, in what regards to the uses of their bodies.
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spelling 2016-04-292016-04-292015-05-19DEPEXE, Sandra Dalcul. DISTINCTION IN 140 CHARACTERS: SOCIAL CLASS, TELENOVELA AND TWITTER. 2015. 235 f. Tese (Doutorado em Comunicação) - Universidade Federal de Santa Maria, Sandra Maria, 2015.http://repositorio.ufsm.br/handle/1/3432This thesis has the overall goal of exploring the circulation and consumption of the telenovela Salve Jorge (Rede Globo, 2012/2013) on Twitter to understand the phenomenon of TVInternet simultaneous consumption and the functioning of the word periguete in communication and class distinction. The specific objectives include: a) examine the real conditions, on Twitter, in which they develop the circulation and consumption practices in the context of media convergence; b) identify in the circulation of Salve Jorge the multiple forms of interactivity and participation of the subjects; c) understand how the social classes shapes the way-subject periguete , from the empirical indicators like as clothing, personal relationships and the way of life of the characters of Salve Jorge read as part of the circulation and consumption based on comments on Twitter. Therefore, we articulate the Pêcheux s speech analysis, Bourdieu s sociology and Latin American reception/consumption studies. We used methods and techniques coming from Social Network Analysis (SNA) and social media monitoring and operationalized through computer assisted qualitative analysis (CAQDAS - Computer Aided Qualitative Data Analisys Softwares). In our concerns stand out the speeches - from the telenovela and from the audience - that differentiate the female characters according to the social class they represent. To perform the analysis, we selected three trajectories of characters from Salve Jorge and seek them to describe how the tweets were constructed, indicating the evidences that pointed us to the forms-subjects that determine women as periguete . Disconnected from marriage and motherhood, these characters are fleeing from an traditional woman construction and approache of contemporary female models. As a result, form-subject periguete functions as a subject position, whose senses are dynamic, but refer to women s freedom with her body, like in the way they dresses and make beauty treatments, either in the exercise of their sexuality. The dynamic of these senses is for judgment/acceptance of popular class women and reproof/freedom of upper classes women, in what regards to the uses of their bodies.Esta tese tem o objetivo geral de explorar a circulação e o consumo da telenovela Salve Jorge (Rede Globo, 2012/2013) no Twitter para compreender o fenômeno do consumo simultâneo TV-internet e o funcionamento da palavra periguete na comunicação e distinção de classe. Como objetivos específicos, destacamos: a) examinar as condições concretas, no Twitter, em que se desenvolvem as práticas de circulação e consumo no contexto da convergência midiática; b) identificar, na circulação de Salve Jorge, as múltiplas formas de interatividade e participação dos sujeitos; c) entender como classe social conforma a forma-sujeito periguete, a partir dos indicadores empíricos do vestuário, das relações pessoais e do modo de ser das personagens da telenovela lidos no âmbito da circulação e consumo de Salve Jorge nos comentários do Twitter. Para tanto, articulamos a análise de discurso pecheutiana, a sociologia bourdiana e os estudos de recepção/consumo latino-americanos. Apropriamos-nos de métodos e técnicas vindas da Análise de Redes Sociais (ARS) e do monitoramento de mídias sociais e os operacionalizamos por meio da análise qualitativa assistida por computador (CAQDAS Computer Aided Qualitative Data Analisys Softwares). Em nossas inquietações se destacam os discursos da telenovela e da audiência - que diferenciam as personagens femininas de acordo com a classe social que elas representam. Para as análises selecionamos três trajetórias de personagens de Salve Jorge e buscamos descrever como eram construídas na trama para ler nos tweets indícios que nos apontavam para o funcionamento das formas-sujeitos que as determinam como periguetes. Desvinculadas da representação do casamento e da maternidade, essas personagens fogem de uma construção tradicional de mulher ideal e se aproximam de modelos contemporâneos do feminino. Como resultados, forma-sujeito periguete funciona como uma posição de sujeito cujos sentidos são móveis, mas remetem à liberdade do corpo feminino, seja na maneira que se veste e nos cuidados estéticos, seja no exercício de sua sexualidade. A mobilidade desses sentidos está para o julgamento/aceitação das mulheres de classes populares e repreensão/liberdade das mulheres de classes altas no que tange aos usos de seus corpos.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal de Santa MariaPrograma de Pós-Graduação em ComunicaçãoUFSMBRComunicaçãoCirculação e consumoClasse socialTelenovelaAnálise de discursoTwitterCirculation and consumptionSocial classTelenovelaDiscourse analysisTwitterCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAODistinção em 140 caracteres: classe social, telenovela e twitterDistinction in 140 characters: social class, telenovela and twitterinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisRonsini, Veneza Mayorahttp://lattes.cnpq.br/0158036614584571Almeida, Heloisa Buarque dehttp://lattes.cnpq.br/6266708108766748Brignol, Liliane Dutrahttp://lattes.cnpq.br/5983909606938283Pieniz, Monicahttp://lattes.cnpq.br/8523150378722263Silveira, Verli Fátima Petri dahttp://lattes.cnpq.br/4907455690392249http://lattes.cnpq.br/7400360496252297Depexe, Sandra Dalcul60090000000840030030030030030030038f2e549-662d-4cf6-9ec0-5a624751a5b701c5e15b-7cf1-47ca-91e5-85142e6b04bde96de975-dc31-45cc-b204-1f71583e64ba90ca7108-1f42-49b7-a111-fb160741eac63e61a6a0-ad6d-434c-bf4e-f85deddd2609eae71f89-db7a-4860-9d16-eb1945ce12efinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDEPEXE, SANDRA DALCUL.pdfTese de Doutoradoapplication/pdf12933351http://repositorio.ufsm.br/bitstream/1/3432/1/DEPEXE%2c%20SANDRA%20DALCUL.pdfae7373a07cec8ba544d947c947c343efMD51TEXTDEPEXE, SANDRA DALCUL.pdf.txtDEPEXE, SANDRA DALCUL.pdf.txtExtracted texttext/plain559336http://repositorio.ufsm.br/bitstream/1/3432/2/DEPEXE%2c%20SANDRA%20DALCUL.pdf.txta39d06714d6f621c9e2185fc7f3f945fMD52THUMBNAILDEPEXE, SANDRA DALCUL.pdf.jpgDEPEXE, SANDRA DALCUL.pdf.jpgIM Thumbnailimage/jpeg4703http://repositorio.ufsm.br/bitstream/1/3432/3/DEPEXE%2c%20SANDRA%20DALCUL.pdf.jpg0b41b80f3e7b7fecfd873ba0b488277bMD531/34322022-08-10 16:28:04.815oai:repositorio.ufsm.br:1/3432Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2022-08-10T19:28:04Biblioteca Digital de Teses e Dissertações do UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.por.fl_str_mv Distinção em 140 caracteres: classe social, telenovela e twitter
dc.title.alternative.eng.fl_str_mv Distinction in 140 characters: social class, telenovela and twitter
title Distinção em 140 caracteres: classe social, telenovela e twitter
spellingShingle Distinção em 140 caracteres: classe social, telenovela e twitter
Depexe, Sandra Dalcul
Circulação e consumo
Classe social
Telenovela
Análise de discurso
Twitter
Circulation and consumption
Social class
Telenovela
Discourse analysis
Twitter
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Distinção em 140 caracteres: classe social, telenovela e twitter
title_full Distinção em 140 caracteres: classe social, telenovela e twitter
title_fullStr Distinção em 140 caracteres: classe social, telenovela e twitter
title_full_unstemmed Distinção em 140 caracteres: classe social, telenovela e twitter
title_sort Distinção em 140 caracteres: classe social, telenovela e twitter
author Depexe, Sandra Dalcul
author_facet Depexe, Sandra Dalcul
author_role author
dc.contributor.advisor1.fl_str_mv Ronsini, Veneza Mayora
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0158036614584571
dc.contributor.referee1.fl_str_mv Almeida, Heloisa Buarque de
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/6266708108766748
dc.contributor.referee2.fl_str_mv Brignol, Liliane Dutra
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/5983909606938283
dc.contributor.referee3.fl_str_mv Pieniz, Monica
dc.contributor.referee3Lattes.fl_str_mv http://lattes.cnpq.br/8523150378722263
dc.contributor.referee4.fl_str_mv Silveira, Verli Fátima Petri da
dc.contributor.referee4Lattes.fl_str_mv http://lattes.cnpq.br/4907455690392249
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7400360496252297
dc.contributor.author.fl_str_mv Depexe, Sandra Dalcul
contributor_str_mv Ronsini, Veneza Mayora
Almeida, Heloisa Buarque de
Brignol, Liliane Dutra
Pieniz, Monica
Silveira, Verli Fátima Petri da
dc.subject.por.fl_str_mv Circulação e consumo
Classe social
Telenovela
Análise de discurso
Twitter
topic Circulação e consumo
Classe social
Telenovela
Análise de discurso
Twitter
Circulation and consumption
Social class
Telenovela
Discourse analysis
Twitter
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Circulation and consumption
Social class
Telenovela
Discourse analysis
Twitter
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description This thesis has the overall goal of exploring the circulation and consumption of the telenovela Salve Jorge (Rede Globo, 2012/2013) on Twitter to understand the phenomenon of TVInternet simultaneous consumption and the functioning of the word periguete in communication and class distinction. The specific objectives include: a) examine the real conditions, on Twitter, in which they develop the circulation and consumption practices in the context of media convergence; b) identify in the circulation of Salve Jorge the multiple forms of interactivity and participation of the subjects; c) understand how the social classes shapes the way-subject periguete , from the empirical indicators like as clothing, personal relationships and the way of life of the characters of Salve Jorge read as part of the circulation and consumption based on comments on Twitter. Therefore, we articulate the Pêcheux s speech analysis, Bourdieu s sociology and Latin American reception/consumption studies. We used methods and techniques coming from Social Network Analysis (SNA) and social media monitoring and operationalized through computer assisted qualitative analysis (CAQDAS - Computer Aided Qualitative Data Analisys Softwares). In our concerns stand out the speeches - from the telenovela and from the audience - that differentiate the female characters according to the social class they represent. To perform the analysis, we selected three trajectories of characters from Salve Jorge and seek them to describe how the tweets were constructed, indicating the evidences that pointed us to the forms-subjects that determine women as periguete . Disconnected from marriage and motherhood, these characters are fleeing from an traditional woman construction and approache of contemporary female models. As a result, form-subject periguete functions as a subject position, whose senses are dynamic, but refer to women s freedom with her body, like in the way they dresses and make beauty treatments, either in the exercise of their sexuality. The dynamic of these senses is for judgment/acceptance of popular class women and reproof/freedom of upper classes women, in what regards to the uses of their bodies.
publishDate 2015
dc.date.issued.fl_str_mv 2015-05-19
dc.date.accessioned.fl_str_mv 2016-04-29
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dc.identifier.uri.fl_str_mv http://repositorio.ufsm.br/handle/1/3432
identifier_str_mv DEPEXE, Sandra Dalcul. DISTINCTION IN 140 CHARACTERS: SOCIAL CLASS, TELENOVELA AND TWITTER. 2015. 235 f. Tese (Doutorado em Comunicação) - Universidade Federal de Santa Maria, Sandra Maria, 2015.
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