Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII
| Ano de defesa: | 2021 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| dARK ID: | ark:/48912/001300002rnk9 |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de São Paulo
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
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| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/11600/62652 |
Resumo: | De Augsburgo a Londres, e passando pela Basileia, Hans Holbein enfrentou um longo caminho até se estabelecer como pintor da corte de Henrique VIII, onde os retratos eram, simultaneamente, expressões de humildade e ostentação, mortalidade e imortalidade. O artista chegou à Inglaterra por intermédio de figuras humanistas importantes, em especial Erasmo de Roterdã e Thomas More: a influência desses eruditos sobre as obras de Holbein se revela mesmo na economia de elementos presentes nesses retratos. Um ano antes de sua morte, Holbein pintou Henry Howard, conde de Surrey e precursor da forma de soneto que Shakespeare tornaria célebre meio século mais tarde. Este estudo dedica-se a ampliar as possibilidades de compreensão de uma obra composta unicamente de uma figura a meio-corpo, sobre fundo abstrato. Hoje parte do acervo do Museu de Arte de São Paulo Assis Chateaubriand, O poeta Henry Howard, conde de Surrey, é tomado como ferramenta no processo de compreensão do papel do retrato nos altos círculos da sociedade inglesa do século XVI. |
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UFSP_5d8aea0357976f0cd542e3c9ea36a0c5 |
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oai:repositorio.unifesp.br:11600/62652 |
| network_acronym_str |
UFSP |
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Repositório Institucional da UNIFESP |
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http://lattes.cnpq.br/6029273355119643Pires, Carla Scheidecker [UNIFESP]http://lattes.cnpq.br/8346348555576898Fernandes, Cássio da Silva2022-02-04T16:29:58Z2022-02-04T16:29:58Z2021-11-29De Augsburgo a Londres, e passando pela Basileia, Hans Holbein enfrentou um longo caminho até se estabelecer como pintor da corte de Henrique VIII, onde os retratos eram, simultaneamente, expressões de humildade e ostentação, mortalidade e imortalidade. O artista chegou à Inglaterra por intermédio de figuras humanistas importantes, em especial Erasmo de Roterdã e Thomas More: a influência desses eruditos sobre as obras de Holbein se revela mesmo na economia de elementos presentes nesses retratos. Um ano antes de sua morte, Holbein pintou Henry Howard, conde de Surrey e precursor da forma de soneto que Shakespeare tornaria célebre meio século mais tarde. Este estudo dedica-se a ampliar as possibilidades de compreensão de uma obra composta unicamente de uma figura a meio-corpo, sobre fundo abstrato. Hoje parte do acervo do Museu de Arte de São Paulo Assis Chateaubriand, O poeta Henry Howard, conde de Surrey, é tomado como ferramenta no processo de compreensão do papel do retrato nos altos círculos da sociedade inglesa do século XVI.From Augsburg to London, and passing through Basel, Hans Holbein faced many obstacles before establishing himself as a painter in Henry VIII's court, where portraits were simultaneously expressions of humility and ostentation, mortality and immortality. The artist arrived in England with the help of important humanist figures, especially Erasmus of Rotterdam and Thomas More. The influence of these scholars on Holbein's work is revealed even in the economy of elements present in these portraits. A year before his death, Holbein painted the portrait of Henry Howard, Earl of Surrey and innovator of the sonnet form that Shakespeare would make famous half a century later. This study is dedicated to expanding the possibilities of understanding a work composed solely of a half-length figure, on an abstract background. Now part of the collection of Museu de Arte de São Paulo Assis Chateaubriand, The Poet Henry Howard, Earl of Surrey is perceived as an instrument in the process of understanding the role of portraiture in the upper echelons of 16th century English society.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)122 f.PIRES, Carla Scheidecker. Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII. Orientador: Prof. Dr. Cassio da Silva Fernandes. 2022. 122 f. Dissertação (Mestrado) – Programa de pós-graduação em História da Arte, Universidade Federal de São Paulo, Guarulhos, 2021.https://hdl.handle.net/11600/62652ark:/48912/001300002rnk9porUniversidade Federal de São Pauloinfo:eu-repo/semantics/openAccessHans HolbeinHenry HowardRenascimentoHans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIIIinfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/publishedVersionreponame:Repositório Institucional da UNIFESPinstname:Universidade Federal de São Paulo (UNIFESP)instacron:UNIFESPEscola de Filosofia, Letras e Ciências Humanas (EFLCH)História da ArteHistória da ArteArte e Tradição ClássicaORIGINALCarla Scheidecker Pires - Hans Holbein e o retrato do poeta Henry Howard.pdfCarla Scheidecker Pires - Hans Holbein e o retrato do poeta Henry 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Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII |
| title |
Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII |
| spellingShingle |
Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII Pires, Carla Scheidecker [UNIFESP] Hans Holbein Henry Howard Renascimento |
| title_short |
Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII |
| title_full |
Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII |
| title_fullStr |
Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII |
| title_full_unstemmed |
Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII |
| title_sort |
Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII |
| author |
Pires, Carla Scheidecker [UNIFESP] |
| author_facet |
Pires, Carla Scheidecker [UNIFESP] |
| author_role |
author |
| dc.contributor.advisorLattes.pt_BR.fl_str_mv |
http://lattes.cnpq.br/6029273355119643 |
| dc.contributor.authorLattes.pt_BR.fl_str_mv |
http://lattes.cnpq.br/8346348555576898 |
| dc.contributor.author.fl_str_mv |
Pires, Carla Scheidecker [UNIFESP] |
| dc.contributor.advisor1.fl_str_mv |
Fernandes, Cássio da Silva |
| contributor_str_mv |
Fernandes, Cássio da Silva |
| dc.subject.por.fl_str_mv |
Hans Holbein Henry Howard Renascimento |
| topic |
Hans Holbein Henry Howard Renascimento |
| description |
De Augsburgo a Londres, e passando pela Basileia, Hans Holbein enfrentou um longo caminho até se estabelecer como pintor da corte de Henrique VIII, onde os retratos eram, simultaneamente, expressões de humildade e ostentação, mortalidade e imortalidade. O artista chegou à Inglaterra por intermédio de figuras humanistas importantes, em especial Erasmo de Roterdã e Thomas More: a influência desses eruditos sobre as obras de Holbein se revela mesmo na economia de elementos presentes nesses retratos. Um ano antes de sua morte, Holbein pintou Henry Howard, conde de Surrey e precursor da forma de soneto que Shakespeare tornaria célebre meio século mais tarde. Este estudo dedica-se a ampliar as possibilidades de compreensão de uma obra composta unicamente de uma figura a meio-corpo, sobre fundo abstrato. Hoje parte do acervo do Museu de Arte de São Paulo Assis Chateaubriand, O poeta Henry Howard, conde de Surrey, é tomado como ferramenta no processo de compreensão do papel do retrato nos altos círculos da sociedade inglesa do século XVI. |
| publishDate |
2021 |
| dc.date.issued.fl_str_mv |
2021-11-29 |
| dc.date.accessioned.fl_str_mv |
2022-02-04T16:29:58Z |
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2022-02-04T16:29:58Z |
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info:eu-repo/semantics/masterThesis |
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info:eu-repo/semantics/publishedVersion |
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masterThesis |
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publishedVersion |
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PIRES, Carla Scheidecker. Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII. Orientador: Prof. Dr. Cassio da Silva Fernandes. 2022. 122 f. Dissertação (Mestrado) – Programa de pós-graduação em História da Arte, Universidade Federal de São Paulo, Guarulhos, 2021. |
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https://hdl.handle.net/11600/62652 |
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ark:/48912/001300002rnk9 |
| identifier_str_mv |
PIRES, Carla Scheidecker. Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII. Orientador: Prof. Dr. Cassio da Silva Fernandes. 2022. 122 f. Dissertação (Mestrado) – Programa de pós-graduação em História da Arte, Universidade Federal de São Paulo, Guarulhos, 2021. ark:/48912/001300002rnk9 |
| url |
https://hdl.handle.net/11600/62652 |
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por |
| language |
por |
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info:eu-repo/semantics/openAccess |
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openAccess |
| dc.format.none.fl_str_mv |
122 f. |
| dc.publisher.none.fl_str_mv |
Universidade Federal de São Paulo |
| publisher.none.fl_str_mv |
Universidade Federal de São Paulo |
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reponame:Repositório Institucional da UNIFESP instname:Universidade Federal de São Paulo (UNIFESP) instacron:UNIFESP |
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Universidade Federal de São Paulo (UNIFESP) |
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UNIFESP |
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UNIFESP |
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