Cinema e psicanálise: um estudo sobre elementos técnicos de roteirização da indústria cinematográfica de Hollywood

• Ano de defesa: 2021
• Autor(a) principal: Trevisan, Enrico Rosa
• Orientador(a): Araujo, Paulo Roberto Monteiro de
• Banca de defesa: Santi, Pedro Luiz Ribeiro de, Duarte, Marcos Nepomuceno, Brito, Emerson Rodrigues de, Lopes, Ana Lucia de Souza
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Programa de Pós-Graduação: Educação, Arte e História da Cultura
• Departamento: Centro de Educação, Filosofia e Teologia (CEFT)
• País: Brasil
• Palavras-chave em Português: estudos culturais; estrutura narrativa; cinema; psicanálise; storytelling
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS
• Link de acesso: https://dspace.mackenzie.br/handle/10899/28558

The present work aims to study cinematographic works from North American entertainment industry (Hollywood) in search of relating elements of formal and structural composition of cinema with psychoanalytical theories and concepts, aiming to investigate the intentional use of emotional manipulation techniques by the audience. To achieve the objective proposed, we have analyzed, in increasing order of complexity: (1) the cinematographic medium, its forms and its study approaches; (2) the cultural approach to film analysis; (3) the structuring elements of the film narrative construction; (4) theories about narrative structure and the emotional involvement generated by storytelling (5) the psychoanalytical reading of cinema and its main concepts and, finally; (6) the technical literature of emotional manipulation exposed by participants in the North American film industry. The analysis of cinematographic works, with their respective theoretical crossings, allows us to formulate the argument that screenplay technical elements are tools that Hollywood scriptwriters intentionally use to produce the greatest emotional impact possible on viewers, triggering three psychic processes described through psychoanalysis - empathy, identification and catharsis - which constitute the very structuring sequence of the cinema narrative. The analyzes presented in this thesis contribute to the field of interdisciplinary studies as they establish relationships between psychic reception of cultural products - as cinema - and social history.